| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 |
По разделу |
351586 | 1511 |
139 |
79 |
67 |
80 |
81 |
173 |
110 |
77 |
137 |
207 |
207 |
154 |
0 |
5 |
3 |
6 |
10 |
12 |
3 |
7 |
4 |
5 |
6 |
6 |
4 |
5 |
3 |
9 |
6 |
6 |
6 |
9 |
11 |
3 |
1 |
3 |
4 |
2 |
3 |
2 |
3 |
2 |
2 |
2 |
1 |
2 |
3 |
3 |
3 |
4 |
2 |
3 |
2 |
1 |
2 |
2 |
3 |
3 |
5 |
3 |
2 |
2 |
2 |
3 |
4 |
2 |
2 |
3 |
3 |
2 |
2 |
2 |
1 |
1 |
Разговор с Андреем Загорцевым |
21661 | 977 |
45 |
39 |
22 |
47 |
32 |
39 |
38 |
45 |
111 |
207 |
205 |
147 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
6 |
2 |
2 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
8 |
0 |
0 |
2 |
4 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
5 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
Окопные стихи |
4928 | 490 |
40 |
32 |
32 |
43 |
35 |
42 |
48 |
35 |
62 |
55 |
34 |
32 |
0 |
1 |
1 |
0 |
4 |
5 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
4 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
4 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
31690 | 419 |
30 |
33 |
27 |
38 |
34 |
51 |
36 |
27 |
32 |
38 |
35 |
38 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
История России в военных дневниках моего дедушки |
26291 | 313 |
33 |
24 |
24 |
29 |
31 |
27 |
19 |
25 |
24 |
22 |
25 |
30 |
0 |
1 |
3 |
0 |
4 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
Анатолий Гончар (Еременко) |
295 | 295 |
33 |
15 |
14 |
27 |
22 |
162 |
22 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
4 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
Разговор с Павлом Андреевым |
5552 | 242 |
24 |
45 |
10 |
13 |
15 |
23 |
19 |
24 |
20 |
22 |
11 |
16 |
0 |
1 |
1 |
0 |
1 |
5 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
3 |
4 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
Алексей Сквер "Забво" |
14174 | 214 |
24 |
14 |
10 |
18 |
19 |
22 |
17 |
14 |
23 |
20 |
16 |
17 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20133 | 206 |
23 |
16 |
10 |
13 |
15 |
20 |
21 |
21 |
15 |
19 |
16 |
17 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
Теория прозы |
8419 | 206 |
22 |
14 |
10 |
15 |
18 |
15 |
26 |
21 |
17 |
21 |
18 |
9 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
Оглянувшись в будущее |
8676 | 204 |
20 |
12 |
8 |
17 |
19 |
21 |
17 |
17 |
17 |
18 |
11 |
27 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
О вреде самообмана, или кто наследует землю |
10676 | 204 |
23 |
16 |
11 |
18 |
17 |
22 |
13 |
12 |
16 |
21 |
18 |
17 |
0 |
0 |
0 |
1 |
3 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
Разговор с Анатолием Гончаром |
3569 | 200 |
25 |
13 |
20 |
15 |
16 |
20 |
19 |
14 |
12 |
15 |
12 |
19 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
2 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Разговор с Александром Карцевым |
4993 | 196 |
22 |
13 |
11 |
15 |
15 |
14 |
11 |
15 |
20 |
19 |
21 |
20 |
0 |
0 |
1 |
1 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Разговор с Равилем Бикбаевым |
4589 | 191 |
34 |
12 |
8 |
13 |
13 |
19 |
14 |
13 |
16 |
23 |
12 |
14 |
0 |
2 |
0 |
3 |
10 |
4 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
Равиль Бикбаев |
914 | 190 |
22 |
12 |
10 |
15 |
20 |
20 |
15 |
18 |
14 |
15 |
14 |
15 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
"Город" Андрея Загорцева |
7261 | 188 |
24 |
14 |
7 |
14 |
16 |
27 |
16 |
14 |
16 |
15 |
13 |
12 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
Метаморфопсия, или Печальный Диверсант |
6969 | 187 |
18 |
13 |
7 |
16 |
16 |
16 |
13 |
9 |
15 |
20 |
32 |
12 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Ярость бунта, или метафизика Беркема |
16179 | 187 |
22 |
14 |
7 |
12 |
16 |
19 |
19 |
16 |
14 |
19 |
15 |
14 |
0 |
0 |
1 |
0 |
2 |
4 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
10769 | 183 |
24 |
19 |
8 |
13 |
15 |
20 |
13 |
12 |
16 |
14 |
13 |
16 |
0 |
2 |
2 |
0 |
1 |
4 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 |
Уроки Александра Карцева |
7550 | 181 |
28 |
15 |
8 |
16 |
12 |
19 |
10 |
13 |
16 |
14 |
13 |
17 |
0 |
1 |
3 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Нарастание пустоты (интервью журналу "Партия") |
4766 | 176 |
29 |
23 |
9 |
15 |
9 |
15 |
14 |
14 |
12 |
13 |
11 |
12 |
0 |
0 |
1 |
0 |
5 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
Александр Карцев |
2796 | 175 |
26 |
16 |
8 |
12 |
15 |
23 |
14 |
8 |
12 |
15 |
13 |
13 |
0 |
1 |
3 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
Нам времени осталось мало |
7374 | 171 |
19 |
14 |
11 |
10 |
14 |
13 |
10 |
10 |
19 |
19 |
19 |
13 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Тонкая нить Андрея Загорцева |
7317 | 169 |
30 |
11 |
5 |
21 |
10 |
16 |
8 |
9 |
17 |
12 |
17 |
13 |
0 |
1 |
0 |
0 |
1 |
4 |
3 |
7 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Алексей Ивакин |
3978 | 165 |
30 |
13 |
6 |
15 |
13 |
15 |
12 |
14 |
10 |
14 |
13 |
10 |
0 |
2 |
3 |
2 |
4 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
"Обыкновенная жизнь" Анатолия Гончара |
5300 | 162 |
22 |
14 |
6 |
12 |
11 |
17 |
13 |
10 |
11 |
14 |
14 |
18 |
0 |
0 |
0 |
1 |
2 |
4 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
Казус Бабченко, или Ни одна обезьяна |
9387 | 161 |
25 |
13 |
7 |
12 |
15 |
14 |
7 |
13 |
12 |
13 |
15 |
15 |
0 |
2 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Технология рассказа |
5732 | 159 |
28 |
12 |
8 |
13 |
15 |
13 |
11 |
11 |
12 |
12 |
13 |
11 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7600 | 158 |
19 |
15 |
6 |
12 |
11 |
15 |
10 |
10 |
17 |
15 |
11 |
17 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
Неистовый Глеб... |
3836 | 157 |
22 |
12 |
10 |
10 |
11 |
17 |
14 |
12 |
13 |
14 |
10 |
12 |
0 |
0 |
1 |
1 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Две повести о войне |
13762 | 157 |
24 |
8 |
8 |
10 |
14 |
11 |
10 |
14 |
11 |
17 |
16 |
14 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
О повести Алексея Козлачкова "Французский парашютист" |
1679 | 154 |
21 |
15 |
9 |
11 |
15 |
14 |
10 |
12 |
11 |
13 |
11 |
12 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
Виталий Носков (к 60-летию друга) |
4884 | 152 |
21 |
12 |
7 |
13 |
12 |
10 |
12 |
11 |
10 |
15 |
10 |
19 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
3 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
"Мародер" Б. аль Атоми |
7570 | 152 |
24 |
12 |
5 |
12 |
14 |
10 |
11 |
14 |
15 |
13 |
11 |
11 |
0 |
2 |
0 |
1 |
3 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Разговор с Алексеем Сквером |
4066 | 152 |
21 |
13 |
7 |
12 |
13 |
13 |
9 |
11 |
14 |
16 |
12 |
11 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Дороги памяти... |
4820 | 152 |
23 |
10 |
6 |
11 |
13 |
12 |
13 |
11 |
11 |
18 |
9 |
15 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
"Данила" Александра Карцева |
6718 | 148 |
16 |
10 |
8 |
11 |
12 |
12 |
14 |
16 |
13 |
13 |
10 |
13 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
Субъективные заметки о феврале и искусстве |
5046 | 147 |
22 |
11 |
8 |
8 |
10 |
13 |
9 |
13 |
17 |
13 |
10 |
13 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Сага порванных душ |
9776 | 139 |
21 |
9 |
6 |
12 |
10 |
10 |
10 |
11 |
10 |
16 |
8 |
16 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |