| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
По разделу |
368418 | 1404 |
21 |
109 |
120 |
107 |
124 |
151 |
134 |
151 |
112 |
141 |
125 |
109 |
2 |
2 |
5 |
1 |
4 |
6 |
1 |
3 |
3 |
6 |
6 |
3 |
4 |
2 |
4 |
3 |
3 |
4 |
3 |
3 |
4 |
2 |
3 |
2 |
2 |
2 |
5 |
3 |
4 |
3 |
4 |
5 |
5 |
5 |
3 |
3 |
3 |
4 |
3 |
9 |
5 |
3 |
4 |
6 |
4 |
9 |
5 |
4 |
10 |
5 |
4 |
4 |
2 |
3 |
3 |
2 |
3 |
3 |
6 |
4 |
4 |
3 |
|
Уроки Александра Карцева |
8561 | 875 |
13 |
70 |
48 |
64 |
84 |
84 |
78 |
98 |
78 |
108 |
109 |
41 |
0 |
1 |
1 |
1 |
4 |
5 |
1 |
2 |
1 |
2 |
5 |
3 |
4 |
2 |
4 |
2 |
3 |
4 |
3 |
1 |
3 |
1 |
2 |
0 |
2 |
1 |
5 |
3 |
1 |
1 |
1 |
4 |
3 |
2 |
0 |
3 |
1 |
1 |
1 |
3 |
2 |
3 |
1 |
2 |
0 |
0 |
5 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
1 |
4 |
3 |
|
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
32432 | 550 |
12 |
44 |
55 |
42 |
59 |
57 |
49 |
47 |
44 |
46 |
43 |
52 |
2 |
1 |
3 |
0 |
1 |
4 |
1 |
3 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
2 |
4 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
2 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
6 |
0 |
2 |
1 |
4 |
1 |
1 |
4 |
3 |
3 |
3 |
4 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
1 |
4 |
0 |
1 |
|
Окопные стихи |
5770 | 547 |
14 |
54 |
75 |
46 |
40 |
50 |
44 |
39 |
38 |
52 |
39 |
56 |
1 |
1 |
5 |
1 |
1 |
4 |
1 |
1 |
3 |
6 |
6 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
4 |
0 |
4 |
0 |
3 |
2 |
0 |
2 |
3 |
2 |
2 |
9 |
5 |
1 |
4 |
6 |
3 |
9 |
5 |
1 |
0 |
5 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
6 |
2 |
1 |
1 |
|
Разговор с Андреем Загорцевым |
22202 | 387 |
8 |
26 |
24 |
43 |
43 |
34 |
31 |
46 |
45 |
30 |
27 |
30 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
|
Разговор с Александром Карцевым |
5494 | 383 |
4 |
20 |
29 |
32 |
39 |
69 |
40 |
31 |
37 |
28 |
29 |
25 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
|
Теория прозы |
8867 | 353 |
10 |
38 |
22 |
23 |
45 |
55 |
42 |
30 |
22 |
30 |
13 |
23 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
4 |
5 |
4 |
5 |
0 |
3 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
|
Алексей Сквер "Забво" |
14627 | 342 |
9 |
17 |
32 |
30 |
36 |
30 |
32 |
26 |
27 |
46 |
29 |
28 |
0 |
1 |
1 |
1 |
0 |
6 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
5 |
1 |
1 |
10 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
|
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20546 | 316 |
4 |
27 |
18 |
14 |
46 |
31 |
30 |
30 |
32 |
26 |
29 |
29 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
5 |
2 |
2 |
0 |
1 |
4 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
|
История России в военных дневниках моего дедушки |
26713 | 302 |
8 |
21 |
15 |
24 |
27 |
32 |
40 |
25 |
23 |
28 |
28 |
31 |
0 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
3 |
0 |
2 |
4 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
|
О вреде самообмана, или кто наследует землю |
11069 | 300 |
6 |
19 |
13 |
16 |
32 |
41 |
41 |
26 |
30 |
29 |
23 |
24 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
|
Разговор с Алексеем Сквером |
4433 | 278 |
6 |
28 |
20 |
13 |
31 |
32 |
36 |
21 |
20 |
30 |
18 |
23 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Анатолий Гончар (6 января 1965 - 31 июля 2023) |
511 | 271 |
4 |
18 |
17 |
17 |
27 |
36 |
31 |
21 |
29 |
23 |
22 |
26 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
|
Анатолий Гончар (Еременко) |
668 | 263 |
5 |
16 |
16 |
21 |
27 |
32 |
23 |
21 |
24 |
27 |
25 |
26 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
|
Оглянувшись в будущее |
9036 | 261 |
3 |
16 |
12 |
17 |
28 |
28 |
23 |
35 |
32 |
19 |
21 |
27 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Технология рассказа |
6093 | 261 |
10 |
17 |
12 |
20 |
27 |
32 |
33 |
18 |
25 |
25 |
20 |
22 |
0 |
1 |
5 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
|
Александр Карцев |
3141 | 260 |
4 |
22 |
15 |
23 |
29 |
24 |
20 |
27 |
27 |
21 |
20 |
28 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
|
"Город" Андрея Загорцева |
7610 | 260 |
4 |
19 |
12 |
21 |
34 |
31 |
22 |
24 |
27 |
23 |
23 |
20 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
|
Равиль Бикбаев |
1264 | 257 |
3 |
13 |
15 |
16 |
31 |
31 |
20 |
27 |
27 |
23 |
27 |
24 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Разговор с Павлом Андреевым |
5901 | 249 |
7 |
17 |
12 |
14 |
29 |
21 |
21 |
27 |
27 |
27 |
21 |
26 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
Про Катю Наговицыну |
2410 | 249 |
4 |
13 |
9 |
15 |
31 |
25 |
21 |
58 |
18 |
22 |
16 |
17 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
|
Ярость бунта, или метафизика Беркема |
16510 | 247 |
4 |
16 |
14 |
14 |
29 |
21 |
22 |
26 |
29 |
26 |
20 |
26 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
4 |
0 |
|
Казус Бабченко, или Ни одна обезьяна |
9721 | 247 |
3 |
14 |
12 |
17 |
32 |
28 |
27 |
28 |
23 |
19 |
16 |
28 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
|
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
11097 | 245 |
3 |
13 |
8 |
19 |
27 |
26 |
22 |
23 |
28 |
27 |
19 |
30 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
|
Неистовый Глеб... |
4165 | 244 |
4 |
15 |
11 |
14 |
32 |
29 |
24 |
25 |
24 |
26 |
19 |
21 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
|
Разговор с Равилем Бикбаевым |
4942 | 244 |
3 |
11 |
12 |
22 |
26 |
25 |
25 |
22 |
22 |
28 |
26 |
22 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
|
"Мародер" Б. аль Атоми |
7895 | 240 |
5 |
14 |
13 |
20 |
25 |
28 |
25 |
22 |
20 |
25 |
20 |
23 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
|
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7910 | 237 |
3 |
14 |
9 |
18 |
24 |
25 |
28 |
24 |
23 |
22 |
23 |
24 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
|
Виталий Носков (к 60-летию друга) |
5192 | 230 |
5 |
8 |
11 |
16 |
27 |
28 |
25 |
20 |
25 |
23 |
24 |
18 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
|
Нам времени осталось мало |
7688 | 230 |
3 |
10 |
14 |
15 |
28 |
22 |
33 |
18 |
18 |
25 |
25 |
19 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
|
Метаморфопсия, или Печальный Диверсант |
7277 | 229 |
4 |
10 |
14 |
18 |
28 |
25 |
23 |
25 |
22 |
21 |
20 |
19 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
|
Две повести о войне |
14057 | 221 |
3 |
14 |
13 |
15 |
27 |
25 |
22 |
26 |
19 |
23 |
19 |
15 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
|
"Данила" Александра Карцева |
7012 | 220 |
4 |
12 |
13 |
20 |
29 |
23 |
22 |
18 |
22 |
20 |
18 |
19 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Нарастание пустоты (интервью журналу "Партия") |
5080 | 218 |
7 |
14 |
12 |
15 |
28 |
18 |
19 |
19 |
23 |
21 |
22 |
20 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
|
О повести Алексея Козлачкова "Французский парашютист" |
1963 | 215 |
5 |
12 |
11 |
14 |
27 |
26 |
22 |
18 |
24 |
20 |
15 |
21 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
|
Субъективные заметки о феврале и искусстве |
5332 | 214 |
5 |
10 |
14 |
17 |
24 |
22 |
21 |
22 |
19 |
22 |
24 |
14 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
|
Разговор с Анатолием Гончаром |
3863 | 212 |
4 |
12 |
10 |
9 |
24 |
22 |
20 |
19 |
23 |
33 |
18 |
18 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
|
Тонкая нить Андрея Загорцева |
7599 | 212 |
3 |
13 |
14 |
15 |
23 |
21 |
21 |
27 |
19 |
21 |
17 |
18 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
|
Алексей Ивакин |
4272 | 210 |
6 |
11 |
11 |
15 |
23 |
21 |
18 |
22 |
23 |
22 |
18 |
20 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
|
"Обыкновенная жизнь" Анатолия Гончара |
5584 | 208 |
3 |
11 |
13 |
15 |
23 |
25 |
21 |
17 |
19 |
22 |
21 |
18 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |