| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
По разделу |
369694 | 1461 |
81 |
106 |
109 |
120 |
107 |
124 |
151 |
134 |
151 |
112 |
141 |
125 |
2 |
4 |
2 |
3 |
6 |
8 |
7 |
5 |
8 |
7 |
5 |
5 |
3 |
4 |
3 |
4 |
2 |
3 |
5 |
3 |
5 |
2 |
2 |
3 |
3 |
3 |
4 |
5 |
5 |
3 |
4 |
5 |
5 |
3 |
4 |
4 |
3 |
3 |
4 |
4 |
3 |
2 |
2 |
5 |
1 |
4 |
6 |
1 |
3 |
3 |
6 |
6 |
3 |
4 |
2 |
4 |
3 |
3 |
4 |
3 |
3 |
4 |
|
Уроки Александра Карцева |
8652 | 925 |
41 |
63 |
70 |
48 |
64 |
84 |
84 |
78 |
98 |
78 |
108 |
109 |
0 |
3 |
2 |
0 |
6 |
1 |
1 |
5 |
2 |
2 |
2 |
5 |
3 |
4 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
3 |
3 |
2 |
4 |
2 |
1 |
3 |
2 |
3 |
3 |
2 |
4 |
0 |
3 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
4 |
5 |
1 |
2 |
1 |
2 |
5 |
3 |
4 |
2 |
4 |
2 |
3 |
4 |
3 |
1 |
3 |
|
Окопные стихи |
5852 | 573 |
39 |
57 |
54 |
75 |
46 |
40 |
50 |
44 |
39 |
38 |
52 |
39 |
1 |
2 |
0 |
0 |
2 |
2 |
7 |
3 |
8 |
7 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
4 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
3 |
3 |
5 |
0 |
0 |
1 |
5 |
3 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
5 |
1 |
1 |
4 |
1 |
1 |
3 |
6 |
6 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
|
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
32498 | 564 |
25 |
53 |
44 |
55 |
42 |
59 |
57 |
49 |
47 |
44 |
46 |
43 |
1 |
4 |
0 |
0 |
4 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
2 |
3 |
0 |
3 |
0 |
2 |
0 |
4 |
4 |
1 |
3 |
4 |
3 |
1 |
2 |
1 |
3 |
0 |
1 |
4 |
1 |
3 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
2 |
4 |
|
Разговор с Андреем Загорцевым |
22255 | 410 |
29 |
32 |
26 |
24 |
43 |
43 |
34 |
31 |
46 |
45 |
30 |
27 |
2 |
4 |
0 |
0 |
2 |
1 |
2 |
3 |
2 |
2 |
2 |
1 |
3 |
0 |
0 |
4 |
1 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
|
Разговор с Александром Карцевым |
5524 | 388 |
18 |
16 |
20 |
29 |
32 |
39 |
69 |
40 |
31 |
37 |
28 |
29 |
2 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
|
Теория прозы |
8901 | 364 |
19 |
25 |
38 |
22 |
23 |
45 |
55 |
42 |
30 |
22 |
30 |
13 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
|
Алексей Сквер "Забво" |
14654 | 341 |
12 |
24 |
17 |
32 |
30 |
36 |
30 |
32 |
26 |
27 |
46 |
29 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
6 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
2 |
|
История России в военных дневниках моего дедушки |
26750 | 308 |
14 |
31 |
21 |
15 |
24 |
27 |
32 |
40 |
25 |
23 |
28 |
28 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
5 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
3 |
0 |
2 |
4 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
|
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20566 | 307 |
10 |
14 |
27 |
18 |
14 |
46 |
31 |
30 |
30 |
32 |
26 |
29 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
|
Технология рассказа |
6152 | 298 |
33 |
36 |
17 |
12 |
20 |
27 |
32 |
33 |
18 |
25 |
25 |
20 |
2 |
1 |
1 |
3 |
0 |
8 |
3 |
0 |
3 |
1 |
3 |
1 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
5 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
|
О вреде самообмана, или кто наследует землю |
11089 | 296 |
10 |
16 |
19 |
13 |
16 |
32 |
41 |
41 |
26 |
30 |
29 |
23 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
|
Разговор с Алексеем Сквером |
4468 | 290 |
18 |
23 |
28 |
20 |
13 |
31 |
32 |
36 |
21 |
20 |
30 |
18 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
|
"Город" Андрея Загорцева |
7652 | 282 |
19 |
27 |
19 |
12 |
21 |
34 |
31 |
22 |
24 |
27 |
23 |
23 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
|
Анатолий Гончар (Еременко) |
698 | 267 |
11 |
24 |
16 |
16 |
21 |
27 |
32 |
23 |
21 |
24 |
27 |
25 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
|
Анатолий Гончар (6 января 1965 - 31 июля 2023) |
529 | 263 |
12 |
10 |
18 |
17 |
17 |
27 |
36 |
31 |
21 |
29 |
23 |
22 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
|
Равиль Бикбаев |
1290 | 259 |
11 |
18 |
13 |
15 |
16 |
31 |
31 |
20 |
27 |
27 |
23 |
27 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
|
Оглянувшись в будущее |
9059 | 257 |
13 |
13 |
16 |
12 |
17 |
28 |
28 |
23 |
35 |
32 |
19 |
21 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
|
Про Катю Наговицыну |
2433 | 255 |
12 |
15 |
13 |
9 |
15 |
31 |
25 |
21 |
58 |
18 |
22 |
16 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
|
Неистовый Глеб... |
4191 | 249 |
10 |
20 |
15 |
11 |
14 |
32 |
29 |
24 |
25 |
24 |
26 |
19 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
Александр Карцев |
3155 | 246 |
9 |
9 |
22 |
15 |
23 |
29 |
24 |
20 |
27 |
27 |
21 |
20 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
2 |
|
Разговор с Павлом Андреевым |
5922 | 244 |
11 |
17 |
17 |
12 |
14 |
29 |
21 |
21 |
27 |
27 |
27 |
21 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
|
Разговор с Равилем Бикбаевым |
4961 | 241 |
9 |
13 |
11 |
12 |
22 |
26 |
25 |
25 |
22 |
22 |
28 |
26 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
|
Казус Бабченко, или Ни одна обезьяна |
9742 | 240 |
9 |
15 |
14 |
12 |
17 |
32 |
28 |
27 |
28 |
23 |
19 |
16 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
|
Ярость бунта, или метафизика Беркема |
16528 | 239 |
8 |
14 |
16 |
14 |
14 |
29 |
21 |
22 |
26 |
29 |
26 |
20 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
|
"Мародер" Б. аль Атоми |
7917 | 239 |
9 |
18 |
14 |
13 |
20 |
25 |
28 |
25 |
22 |
20 |
25 |
20 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
|
Метаморфопсия, или Печальный Диверсант |
7302 | 235 |
11 |
18 |
10 |
14 |
18 |
28 |
25 |
23 |
25 |
22 |
21 |
20 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
11117 | 235 |
10 |
13 |
13 |
8 |
19 |
27 |
26 |
22 |
23 |
28 |
27 |
19 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
|
Виталий Носков (к 60-летию друга) |
5214 | 234 |
11 |
16 |
8 |
11 |
16 |
27 |
28 |
25 |
20 |
25 |
23 |
24 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7927 | 230 |
8 |
12 |
14 |
9 |
18 |
24 |
25 |
28 |
24 |
23 |
22 |
23 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
|
Две повести о войне |
14081 | 230 |
13 |
14 |
14 |
13 |
15 |
27 |
25 |
22 |
26 |
19 |
23 |
19 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
|
Нам времени осталось мало |
7706 | 229 |
9 |
12 |
10 |
14 |
15 |
28 |
22 |
33 |
18 |
18 |
25 |
25 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
|
Субъективные заметки о феврале и искусстве |
5359 | 227 |
12 |
20 |
10 |
14 |
17 |
24 |
22 |
21 |
22 |
19 |
22 |
24 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Нарастание пустоты (интервью журналу "Партия") |
5104 | 222 |
13 |
18 |
14 |
12 |
15 |
28 |
18 |
19 |
19 |
23 |
21 |
22 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
|
Алексей Ивакин |
4302 | 220 |
13 |
23 |
11 |
11 |
15 |
23 |
21 |
18 |
22 |
23 |
22 |
18 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
|
"Данила" Александра Карцева |
7030 | 219 |
10 |
12 |
12 |
13 |
20 |
29 |
23 |
22 |
18 |
22 |
20 |
18 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
|
"Обыкновенная жизнь" Анатолия Гончара |
5610 | 216 |
13 |
16 |
11 |
13 |
15 |
23 |
25 |
21 |
17 |
19 |
22 |
21 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
|
Тонкая нить Андрея Загорцева |
7618 | 213 |
12 |
10 |
13 |
14 |
15 |
23 |
21 |
21 |
27 |
19 |
21 |
17 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
|
О повести Алексея Козлачкова "Французский парашютист" |
1981 | 212 |
10 |
13 |
12 |
11 |
14 |
27 |
26 |
22 |
18 |
24 |
20 |
15 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
|
Дороги памяти... |
5116 | 211 |
14 |
15 |
8 |
10 |
12 |
23 |
21 |
20 |
25 |
17 |
29 |
17 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |