| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
По разделу |
354620 | 1261 |
46 |
136 |
110 |
165 |
79 |
67 |
80 |
81 |
173 |
110 |
77 |
137 |
0 |
4 |
5 |
10 |
4 |
2 |
4 |
4 |
6 |
3 |
4 |
8 |
5 |
8 |
2 |
3 |
3 |
7 |
4 |
5 |
2 |
3 |
3 |
3 |
5 |
6 |
7 |
2 |
4 |
8 |
3 |
5 |
3 |
3 |
3 |
5 |
3 |
2 |
5 |
6 |
4 |
6 |
4 |
4 |
4 |
3 |
4 |
3 |
5 |
3 |
9 |
4 |
5 |
6 |
3 |
5 |
4 |
3 |
3 |
3 |
5 |
6 |
Окопные стихи |
5158 | 599 |
36 |
95 |
86 |
53 |
32 |
32 |
43 |
35 |
42 |
48 |
35 |
62 |
0 |
1 |
3 |
10 |
4 |
1 |
2 |
3 |
6 |
3 |
3 |
4 |
3 |
7 |
1 |
3 |
3 |
2 |
4 |
5 |
1 |
2 |
2 |
2 |
1 |
6 |
7 |
2 |
0 |
8 |
3 |
3 |
2 |
3 |
2 |
1 |
0 |
1 |
5 |
6 |
0 |
6 |
2 |
4 |
2 |
1 |
4 |
3 |
3 |
2 |
9 |
4 |
3 |
5 |
3 |
5 |
4 |
3 |
3 |
3 |
4 |
5 |
Разговор с Андреем Загорцевым |
21779 | 536 |
16 |
46 |
40 |
61 |
39 |
22 |
47 |
32 |
39 |
38 |
45 |
111 |
0 |
0 |
2 |
2 |
3 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
2 |
7 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
2 |
0 |
1 |
1 |
1 |
5 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
3 |
0 |
3 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
6 |
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
31836 | 454 |
22 |
63 |
44 |
47 |
33 |
27 |
38 |
34 |
51 |
36 |
27 |
32 |
0 |
3 |
2 |
1 |
2 |
0 |
4 |
2 |
4 |
2 |
2 |
1 |
4 |
7 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
3 |
3 |
0 |
3 |
6 |
4 |
1 |
1 |
1 |
0 |
4 |
3 |
1 |
0 |
5 |
0 |
1 |
1 |
5 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
0 |
6 |
1 |
3 |
2 |
1 |
0 |
1 |
5 |
5 |
Анатолий Гончар (Еременко) |
369 | 369 |
13 |
27 |
26 |
41 |
15 |
14 |
27 |
22 |
162 |
22 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
История России в военных дневниках моего дедушки |
26379 | 324 |
16 |
30 |
36 |
39 |
24 |
24 |
29 |
31 |
27 |
19 |
25 |
24 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
5 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
3 |
0 |
2 |
1 |
3 |
Разговор с Павлом Андреевым |
5619 | 260 |
15 |
21 |
26 |
29 |
45 |
10 |
13 |
15 |
23 |
19 |
24 |
20 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
4 |
Алексей Сквер "Забво" |
14256 | 243 |
15 |
31 |
33 |
27 |
14 |
10 |
18 |
19 |
22 |
17 |
14 |
23 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
4 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
4 |
1 |
0 |
4 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
5 |
Теория прозы |
8490 | 229 |
9 |
29 |
29 |
26 |
14 |
10 |
15 |
18 |
15 |
26 |
21 |
17 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
5 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
4 |
Разговор с Александром Карцевым |
5078 | 221 |
15 |
33 |
31 |
28 |
13 |
11 |
15 |
15 |
14 |
11 |
15 |
20 |
0 |
4 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
4 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
5 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
3 |
Разговор с Равилем Бикбаевым |
4668 | 221 |
11 |
36 |
27 |
39 |
12 |
8 |
13 |
13 |
19 |
14 |
13 |
16 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
5 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
2 |
2 |
2 |
3 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
5 |
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20196 | 217 |
11 |
31 |
17 |
27 |
16 |
10 |
13 |
15 |
20 |
21 |
21 |
15 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
3 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
Анатолий Гончар (6 января 1965 - 31 июля 2023) |
215 | 215 |
10 |
39 |
36 |
130 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
5 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
Равиль Бикбаев |
982 | 214 |
12 |
28 |
21 |
29 |
12 |
10 |
15 |
20 |
20 |
15 |
18 |
14 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
4 |
8 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
4 |
Оглянувшись в будущее |
8741 | 213 |
12 |
24 |
23 |
26 |
12 |
8 |
17 |
19 |
21 |
17 |
17 |
17 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
О вреде самообмана, или кто наследует землю |
10741 | 213 |
10 |
27 |
23 |
28 |
16 |
11 |
18 |
17 |
22 |
13 |
12 |
16 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
6 |
Нарастание пустоты (интервью журналу "Партия") |
4835 | 209 |
9 |
33 |
21 |
35 |
23 |
9 |
15 |
9 |
15 |
14 |
14 |
12 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
7 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
4 |
"Город" Андрея Загорцева |
7322 | 209 |
12 |
26 |
20 |
27 |
14 |
7 |
14 |
16 |
27 |
16 |
14 |
16 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
3 |
1 |
1 |
8 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
Разговор с Анатолием Гончаром |
3621 | 206 |
10 |
19 |
18 |
30 |
13 |
20 |
15 |
16 |
20 |
19 |
14 |
12 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
4 |
Уроки Александра Карцева |
7612 | 199 |
10 |
28 |
19 |
33 |
15 |
8 |
16 |
12 |
19 |
10 |
13 |
16 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
5 |
0 |
1 |
0 |
2 |
0 |
5 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
10826 | 197 |
17 |
17 |
18 |
29 |
19 |
8 |
13 |
15 |
20 |
13 |
12 |
16 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
2 |
4 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
Ярость бунта, или метафизика Беркема |
16236 | 196 |
11 |
25 |
17 |
26 |
14 |
7 |
12 |
16 |
19 |
19 |
16 |
14 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
0 |
2 |
0 |
1 |
5 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
4 |
Александр Карцев |
2853 | 191 |
9 |
21 |
21 |
32 |
16 |
8 |
12 |
15 |
23 |
14 |
8 |
12 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
0 |
2 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
Технология рассказа |
5796 | 187 |
13 |
24 |
22 |
33 |
12 |
8 |
13 |
15 |
13 |
11 |
11 |
12 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
Алексей Ивакин |
4036 | 186 |
10 |
24 |
20 |
34 |
13 |
6 |
15 |
13 |
15 |
12 |
14 |
10 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
6 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
Неистовый Глеб... |
3897 | 182 |
15 |
19 |
22 |
27 |
12 |
10 |
10 |
11 |
17 |
14 |
12 |
13 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
4 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
Метаморфопсия, или Печальный Диверсант |
7026 | 180 |
11 |
18 |
20 |
26 |
13 |
7 |
16 |
16 |
16 |
13 |
9 |
15 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
4 |
Казус Бабченко, или Ни одна обезьяна |
9446 | 177 |
12 |
22 |
22 |
28 |
13 |
7 |
12 |
15 |
14 |
7 |
13 |
12 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
6 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
Нам времени осталось мало |
7430 | 176 |
13 |
17 |
18 |
27 |
14 |
11 |
10 |
14 |
13 |
10 |
10 |
19 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
5 |
"Мародер" Б. аль Атоми |
7629 | 176 |
13 |
20 |
21 |
29 |
12 |
5 |
12 |
14 |
10 |
11 |
14 |
15 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
4 |
1 |
3 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
Тонкая нить Андрея Загорцева |
7366 | 176 |
8 |
19 |
16 |
36 |
11 |
5 |
21 |
10 |
16 |
8 |
9 |
17 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
Разговор с Алексеем Сквером |
4123 | 170 |
11 |
19 |
22 |
26 |
13 |
7 |
12 |
13 |
13 |
9 |
11 |
14 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
4 |
"Обыкновенная жизнь" Анатолия Гончара |
5352 | 168 |
12 |
18 |
17 |
27 |
14 |
6 |
12 |
11 |
17 |
13 |
10 |
11 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
5 |
О повести Алексея Козлачкова "Французский парашютист" |
1728 | 167 |
10 |
18 |
18 |
24 |
15 |
9 |
11 |
15 |
14 |
10 |
12 |
11 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7649 | 164 |
9 |
16 |
21 |
22 |
15 |
6 |
12 |
11 |
15 |
10 |
10 |
17 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
4 |
Виталий Носков (к 60-летию друга) |
4939 | 163 |
13 |
18 |
20 |
25 |
12 |
7 |
13 |
12 |
10 |
12 |
11 |
10 |
0 |
1 |
5 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
"Данила" Александра Карцева |
6769 | 163 |
9 |
19 |
17 |
22 |
10 |
8 |
11 |
12 |
12 |
14 |
16 |
13 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
Субъективные заметки о феврале и искусстве |
5095 | 160 |
8 |
22 |
16 |
25 |
11 |
8 |
8 |
10 |
13 |
9 |
13 |
17 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
Две повести о войне |
13810 | 158 |
8 |
17 |
19 |
28 |
8 |
8 |
10 |
14 |
11 |
10 |
14 |
11 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
4 |
Поэзия жизни и судьбы |
1617 | 157 |
10 |
20 |
21 |
22 |
8 |
6 |
11 |
13 |
17 |
11 |
8 |
10 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |