| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
|
По разделу |
366763 | 1459 |
19 |
107 |
124 |
151 |
134 |
151 |
112 |
141 |
125 |
109 |
150 |
136 |
4 |
3 |
3 |
2 |
5 |
2 |
4 |
4 |
4 |
4 |
4 |
2 |
2 |
4 |
5 |
3 |
5 |
4 |
3 |
3 |
4 |
3 |
2 |
4 |
7 |
2 |
3 |
3 |
2 |
2 |
3 |
2 |
3 |
5 |
4 |
3 |
4 |
5 |
6 |
3 |
4 |
3 |
2 |
5 |
3 |
3 |
2 |
6 |
5 |
4 |
6 |
3 |
4 |
3 |
2 |
4 |
3 |
4 |
7 |
3 |
4 |
3 |
|
Уроки Александра Карцева |
8442 | 868 |
12 |
64 |
84 |
84 |
78 |
98 |
78 |
108 |
109 |
41 |
84 |
28 |
4 |
3 |
0 |
1 |
3 |
1 |
2 |
4 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
2 |
3 |
2 |
1 |
1 |
2 |
7 |
1 |
2 |
3 |
2 |
0 |
3 |
1 |
3 |
2 |
4 |
2 |
3 |
1 |
6 |
1 |
2 |
1 |
0 |
5 |
2 |
2 |
1 |
2 |
5 |
4 |
2 |
3 |
4 |
3 |
2 |
4 |
1 |
1 |
7 |
1 |
2 |
2 |
|
Окопные стихи |
5635 | 608 |
8 |
46 |
40 |
50 |
44 |
39 |
38 |
52 |
39 |
56 |
101 |
95 |
1 |
1 |
1 |
2 |
3 |
0 |
3 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
5 |
0 |
3 |
3 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
5 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
|
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
32330 | 579 |
9 |
42 |
59 |
57 |
49 |
47 |
44 |
46 |
43 |
52 |
68 |
63 |
0 |
1 |
3 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
3 |
3 |
3 |
1 |
4 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
2 |
0 |
4 |
1 |
0 |
4 |
1 |
3 |
1 |
1 |
3 |
0 |
6 |
1 |
4 |
1 |
0 |
2 |
0 |
4 |
2 |
2 |
2 |
0 |
|
Разговор с Андреем Загорцевым |
22154 | 437 |
10 |
43 |
43 |
34 |
31 |
46 |
45 |
30 |
27 |
30 |
52 |
46 |
2 |
2 |
2 |
2 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
2 |
3 |
4 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
|
Разговор с Александром Карцевым |
5450 | 420 |
9 |
32 |
39 |
69 |
40 |
31 |
37 |
28 |
29 |
25 |
48 |
33 |
1 |
1 |
1 |
0 |
5 |
1 |
2 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
|
Алексей Сквер "Забво" |
14574 | 364 |
5 |
30 |
36 |
30 |
32 |
26 |
27 |
46 |
29 |
28 |
44 |
31 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
4 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
|
Теория прозы |
8802 | 350 |
5 |
23 |
45 |
55 |
42 |
30 |
22 |
30 |
13 |
23 |
33 |
29 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
6 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
2 |
2 |
1 |
2 |
0 |
|
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20500 | 346 |
3 |
14 |
46 |
31 |
30 |
30 |
32 |
26 |
29 |
29 |
45 |
31 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
5 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
2 |
2 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
|
История России в военных дневниках моего дедушки |
26672 | 339 |
3 |
24 |
27 |
32 |
40 |
25 |
23 |
28 |
28 |
31 |
48 |
30 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
|
О вреде самообмана, или кто наследует землю |
11032 | 328 |
1 |
16 |
32 |
41 |
41 |
26 |
30 |
29 |
23 |
24 |
38 |
27 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
|
Анатолий Гончар (6 января 1965 - 31 июля 2023) |
477 | 311 |
5 |
17 |
27 |
36 |
31 |
21 |
29 |
23 |
22 |
26 |
35 |
39 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
5 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
4 |
1 |
|
Анатолий Гончар (Еременко) |
632 | 303 |
1 |
21 |
27 |
32 |
23 |
21 |
24 |
27 |
25 |
26 |
49 |
27 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
|
Оглянувшись в будущее |
9006 | 301 |
1 |
17 |
28 |
28 |
23 |
35 |
32 |
19 |
21 |
27 |
46 |
24 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
|
Разговор с Равилем Бикбаевым |
4918 | 297 |
2 |
22 |
26 |
25 |
25 |
22 |
22 |
28 |
26 |
22 |
41 |
36 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
|
Технология рассказа |
6055 | 296 |
1 |
20 |
27 |
32 |
33 |
18 |
25 |
25 |
20 |
22 |
49 |
24 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
|
"Город" Андрея Загорцева |
7578 | 294 |
3 |
21 |
34 |
31 |
22 |
24 |
27 |
23 |
23 |
20 |
40 |
26 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
|
Равиль Бикбаев |
1234 | 292 |
1 |
16 |
31 |
31 |
20 |
27 |
27 |
23 |
27 |
24 |
37 |
28 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
|
Разговор с Алексеем Сквером |
4381 | 288 |
2 |
13 |
31 |
32 |
36 |
21 |
20 |
30 |
18 |
23 |
43 |
19 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
|
Разговор с Павлом Андреевым |
5867 | 284 |
2 |
14 |
29 |
21 |
21 |
27 |
27 |
27 |
21 |
26 |
48 |
21 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
4 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
|
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
11075 | 283 |
2 |
19 |
27 |
26 |
22 |
23 |
28 |
27 |
19 |
30 |
43 |
17 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
|
Александр Карцев |
3106 | 283 |
6 |
23 |
29 |
24 |
20 |
27 |
27 |
21 |
20 |
28 |
37 |
21 |
4 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
|
Ярость бунта, или метафизика Беркема |
16481 | 281 |
5 |
14 |
29 |
21 |
22 |
26 |
29 |
26 |
20 |
26 |
38 |
25 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
|
Казус Бабченко, или Ни одна обезьяна |
9693 | 281 |
1 |
17 |
32 |
28 |
27 |
28 |
23 |
19 |
16 |
28 |
40 |
22 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
|
Неистовый Глеб... |
4137 | 274 |
2 |
14 |
32 |
29 |
24 |
25 |
24 |
26 |
19 |
21 |
39 |
19 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
|
Про Катю Наговицыну |
2385 | 274 |
1 |
15 |
31 |
25 |
21 |
58 |
18 |
22 |
16 |
17 |
31 |
19 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
4 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
|
"Мародер" Б. аль Атоми |
7864 | 268 |
1 |
20 |
25 |
28 |
25 |
22 |
20 |
25 |
20 |
23 |
39 |
20 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Нам времени осталось мало |
7663 | 263 |
2 |
15 |
28 |
22 |
33 |
18 |
18 |
25 |
25 |
19 |
41 |
17 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
|
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7887 | 263 |
3 |
18 |
24 |
25 |
28 |
24 |
23 |
22 |
23 |
24 |
33 |
16 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
|
Виталий Носков (к 60-летию друга) |
5170 | 262 |
2 |
16 |
27 |
28 |
25 |
20 |
25 |
23 |
24 |
18 |
36 |
18 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
|
Нарастание пустоты (интервью журналу "Партия") |
5050 | 257 |
3 |
15 |
28 |
18 |
19 |
19 |
23 |
21 |
22 |
20 |
36 |
33 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
|
Метаморфопсия, или Печальный Диверсант |
7251 | 254 |
2 |
18 |
28 |
25 |
23 |
25 |
22 |
21 |
20 |
19 |
33 |
18 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Разговор с Анатолием Гончаром |
3840 | 248 |
3 |
9 |
24 |
22 |
20 |
19 |
23 |
33 |
18 |
18 |
40 |
19 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
|
Алексей Ивакин |
4246 | 244 |
2 |
15 |
23 |
21 |
18 |
22 |
23 |
22 |
18 |
20 |
36 |
24 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
|
"Данила" Александра Карцева |
6985 | 244 |
2 |
20 |
29 |
23 |
22 |
18 |
22 |
20 |
18 |
19 |
32 |
19 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
|
Две повести о войне |
14029 | 244 |
2 |
15 |
27 |
25 |
22 |
26 |
19 |
23 |
19 |
15 |
34 |
17 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
|
Субъективные заметки о феврале и искусстве |
5307 | 242 |
4 |
17 |
24 |
22 |
21 |
22 |
19 |
22 |
24 |
14 |
31 |
22 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
|
О повести Алексея Козлачкова "Французский парашютист" |
1938 | 238 |
3 |
14 |
27 |
26 |
22 |
18 |
24 |
20 |
15 |
21 |
30 |
18 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
|
Поэзия жизни и судьбы |
1825 | 238 |
2 |
14 |
22 |
26 |
21 |
18 |
26 |
29 |
13 |
15 |
32 |
20 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
|
"Обыкновенная жизнь" Анатолия Гончара |
5560 | 238 |
3 |
15 |
23 |
25 |
21 |
17 |
19 |
22 |
21 |
18 |
36 |
18 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |