| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
|
По разделу |
375577 | 1278 |
9 |
125 |
102 |
114 |
107 |
137 |
118 |
106 |
109 |
120 |
107 |
124 |
0 |
2 |
4 |
3 |
4 |
3 |
5 |
4 |
4 |
4 |
3 |
5 |
8 |
7 |
4 |
4 |
4 |
5 |
3 |
2 |
5 |
4 |
2 |
5 |
4 |
4 |
3 |
4 |
5 |
1 |
5 |
4 |
2 |
5 |
3 |
3 |
2 |
3 |
2 |
3 |
5 |
4 |
4 |
4 |
3 |
3 |
2 |
2 |
8 |
2 |
2 |
6 |
3 |
3 |
4 |
4 |
2 |
2 |
4 |
5 |
3 |
3 |
|
Окопные стихи |
6187 | 646 |
6 |
89 |
61 |
58 |
55 |
55 |
50 |
57 |
54 |
75 |
46 |
40 |
0 |
1 |
4 |
1 |
4 |
0 |
5 |
3 |
4 |
0 |
3 |
0 |
2 |
7 |
4 |
2 |
1 |
5 |
3 |
2 |
5 |
4 |
2 |
1 |
1 |
4 |
1 |
4 |
4 |
1 |
5 |
4 |
2 |
5 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
2 |
4 |
4 |
3 |
0 |
2 |
1 |
6 |
2 |
2 |
4 |
1 |
2 |
4 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
|
Уроки Александра Карцева |
8808 | 526 |
3 |
23 |
28 |
33 |
21 |
24 |
65 |
63 |
70 |
48 |
64 |
84 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
|
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
32703 | 483 |
4 |
33 |
31 |
35 |
41 |
46 |
40 |
53 |
44 |
55 |
42 |
59 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
5 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
|
Разговор с Андреем Загорцевым |
22521 | 463 |
6 |
39 |
47 |
79 |
55 |
30 |
39 |
32 |
26 |
24 |
43 |
43 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
5 |
1 |
1 |
4 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
5 |
0 |
2 |
1 |
2 |
1 |
3 |
4 |
0 |
1 |
2 |
1 |
3 |
3 |
|
Разговор с Алексеем Сквером |
4681 | 346 |
4 |
23 |
27 |
29 |
38 |
82 |
28 |
23 |
28 |
20 |
13 |
31 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
|
Теория прозы |
9054 | 325 |
1 |
31 |
42 |
32 |
20 |
22 |
24 |
25 |
38 |
22 |
23 |
45 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
5 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
5 |
1 |
1 |
3 |
3 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Алексей Сквер "Забво" |
14821 | 318 |
4 |
31 |
32 |
35 |
30 |
23 |
24 |
24 |
17 |
32 |
30 |
36 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
|
Технология рассказа |
6322 | 315 |
4 |
39 |
38 |
37 |
23 |
19 |
43 |
36 |
17 |
12 |
20 |
27 |
0 |
0 |
1 |
3 |
1 |
0 |
3 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
4 |
0 |
1 |
2 |
0 |
2 |
0 |
4 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
0 |
1 |
3 |
4 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
4 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
|
Разговор с Александром Карцевым |
5665 | 295 |
2 |
28 |
34 |
31 |
19 |
21 |
24 |
16 |
20 |
29 |
32 |
39 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
4 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
8 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
|
История России в военных дневниках моего дедушки |
26892 | 274 |
3 |
26 |
26 |
34 |
28 |
23 |
16 |
31 |
21 |
15 |
24 |
27 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
5 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
|
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20698 | 261 |
1 |
26 |
23 |
37 |
20 |
18 |
17 |
14 |
27 |
18 |
14 |
46 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
|
Анатолий Гончар (Еременко) |
842 | 259 |
3 |
29 |
25 |
28 |
21 |
31 |
18 |
24 |
16 |
16 |
21 |
27 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
4 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
|
"Город" Андрея Загорцева |
7774 | 254 |
4 |
25 |
24 |
26 |
19 |
18 |
25 |
27 |
19 |
12 |
21 |
34 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
6 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Оглянувшись в будущее |
9205 | 245 |
3 |
40 |
23 |
34 |
22 |
19 |
18 |
13 |
16 |
12 |
17 |
28 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
4 |
2 |
2 |
0 |
3 |
8 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
|
Равиль Бикбаев |
1423 | 237 |
1 |
21 |
20 |
28 |
23 |
30 |
21 |
18 |
13 |
15 |
16 |
31 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
|
Разговор с Павлом Андреевым |
6058 | 236 |
4 |
27 |
19 |
29 |
26 |
23 |
19 |
17 |
17 |
12 |
14 |
29 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
5 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
О вреде самообмана, или кто наследует землю |
11214 | 231 |
6 |
26 |
15 |
30 |
20 |
22 |
16 |
16 |
19 |
13 |
16 |
32 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Александр Карцев |
3272 | 224 |
3 |
23 |
23 |
30 |
16 |
19 |
12 |
9 |
22 |
15 |
23 |
29 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
|
Анатолий Гончар (6 января 1965 - 31 июля 2023) |
650 | 222 |
1 |
21 |
27 |
22 |
20 |
24 |
18 |
10 |
18 |
17 |
17 |
27 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
5 |
2 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
|
"Мародер" Б. аль Атоми |
8036 | 218 |
5 |
23 |
19 |
24 |
25 |
19 |
13 |
18 |
14 |
13 |
20 |
25 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
|
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
11244 | 217 |
4 |
26 |
23 |
31 |
25 |
16 |
12 |
13 |
13 |
8 |
19 |
27 |
0 |
0 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
|
Алексей Ивакин |
4423 | 217 |
3 |
22 |
28 |
28 |
16 |
20 |
17 |
23 |
11 |
11 |
15 |
23 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
5 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
|
Неистовый Глеб... |
4304 | 215 |
3 |
23 |
22 |
27 |
16 |
19 |
13 |
20 |
15 |
11 |
14 |
32 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Метаморфопсия, или Печальный Диверсант |
7415 | 212 |
2 |
24 |
19 |
27 |
18 |
21 |
13 |
18 |
10 |
14 |
18 |
28 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Разговор с Равилем Бикбаевым |
5079 | 211 |
5 |
21 |
19 |
24 |
23 |
21 |
14 |
13 |
11 |
12 |
22 |
26 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Две повести о войне |
14196 | 211 |
2 |
19 |
21 |
31 |
21 |
17 |
17 |
14 |
14 |
13 |
15 |
27 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
|
Ярость бунта, или метафизика Беркема |
16643 | 210 |
3 |
22 |
14 |
34 |
21 |
19 |
10 |
14 |
16 |
14 |
14 |
29 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Казус Бабченко, или Ни одна обезьяна |
9852 | 209 |
2 |
24 |
21 |
24 |
14 |
18 |
16 |
15 |
14 |
12 |
17 |
32 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
|
Нам времени осталось мало |
7824 | 206 |
4 |
23 |
16 |
29 |
22 |
21 |
12 |
12 |
10 |
14 |
15 |
28 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Нарастание пустоты (интервью журналу "Партия") |
5210 | 206 |
3 |
19 |
20 |
25 |
18 |
18 |
16 |
18 |
14 |
12 |
15 |
28 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
|
Субъективные заметки о феврале и искусстве |
5467 | 205 |
2 |
20 |
17 |
28 |
17 |
22 |
14 |
20 |
10 |
14 |
17 |
24 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Виталий Носков (к 60-летию друга) |
5324 | 199 |
1 |
18 |
22 |
26 |
17 |
22 |
15 |
16 |
8 |
11 |
16 |
27 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
|
"Данила" Александра Карцева |
7133 | 199 |
4 |
21 |
18 |
25 |
15 |
16 |
14 |
12 |
12 |
13 |
20 |
29 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
|
Предисловие к "Запискам офицера Вдв" В. Осипенко |
8033 | 191 |
3 |
19 |
20 |
27 |
15 |
19 |
11 |
12 |
14 |
9 |
18 |
24 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
|
Тонкая нить Андрея Загорцева |
7721 | 190 |
1 |
21 |
21 |
24 |
16 |
18 |
14 |
10 |
13 |
14 |
15 |
23 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
|
"Обыкновенная жизнь" Анатолия Гончара |
5708 | 189 |
1 |
16 |
15 |
29 |
13 |
20 |
17 |
16 |
11 |
13 |
15 |
23 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
О повести Алексея Козлачкова "Французский парашютист" |
2082 | 188 |
3 |
16 |
18 |
28 |
15 |
18 |
13 |
13 |
12 |
11 |
14 |
27 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
|
Про Катю Наговицыну |
2524 | 186 |
2 |
19 |
17 |
18 |
13 |
18 |
16 |
15 |
13 |
9 |
15 |
31 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Дороги памяти... |
5217 | 183 |
1 |
21 |
16 |
30 |
11 |
18 |
18 |
15 |
8 |
10 |
12 |
23 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |