| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 |
|
По разделу |
364883 | 1528 |
44 |
151 |
134 |
151 |
112 |
141 |
125 |
109 |
150 |
136 |
110 |
165 |
0 |
7 |
3 |
4 |
3 |
4 |
5 |
5 |
4 |
6 |
3 |
3 |
3 |
5 |
6 |
4 |
3 |
8 |
7 |
12 |
5 |
3 |
7 |
3 |
3 |
4 |
3 |
5 |
4 |
5 |
2 |
4 |
5 |
9 |
10 |
6 |
9 |
5 |
4 |
2 |
2 |
2 |
3 |
4 |
9 |
5 |
13 |
4 |
4 |
5 |
6 |
4 |
4 |
7 |
3 |
4 |
2 |
2 |
3 |
3 |
4 |
3 |
|
Уроки Александра Карцева |
8314 | 792 |
32 |
84 |
78 |
98 |
78 |
108 |
109 |
41 |
84 |
28 |
19 |
33 |
0 |
7 |
1 |
2 |
2 |
2 |
5 |
5 |
1 |
6 |
1 |
3 |
0 |
5 |
5 |
4 |
1 |
8 |
3 |
12 |
5 |
1 |
3 |
2 |
3 |
4 |
1 |
2 |
4 |
3 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
5 |
3 |
4 |
0 |
1 |
4 |
4 |
1 |
1 |
3 |
3 |
1 |
2 |
3 |
2 |
4 |
3 |
|
Окопные стихи |
5554 | 666 |
13 |
50 |
44 |
39 |
38 |
52 |
39 |
56 |
101 |
95 |
86 |
53 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
6 |
0 |
0 |
4 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
5 |
0 |
1 |
3 |
2 |
2 |
4 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
3 |
2 |
1 |
1 |
3 |
1 |
1 |
5 |
1 |
4 |
1 |
1 |
0 |
3 |
0 |
2 |
|
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
32239 | 579 |
19 |
57 |
49 |
47 |
44 |
46 |
43 |
52 |
68 |
63 |
44 |
47 |
0 |
2 |
2 |
2 |
0 |
3 |
1 |
2 |
1 |
5 |
1 |
3 |
1 |
3 |
3 |
1 |
3 |
2 |
4 |
0 |
2 |
1 |
3 |
2 |
0 |
3 |
1 |
5 |
1 |
5 |
0 |
4 |
0 |
2 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
3 |
3 |
2 |
0 |
2 |
3 |
2 |
0 |
4 |
1 |
1 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
|
Разговор с Андреем Загорцевым |
22076 | 460 |
18 |
34 |
31 |
46 |
45 |
30 |
27 |
30 |
52 |
46 |
40 |
61 |
0 |
0 |
2 |
2 |
2 |
4 |
3 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
|
Анатолий Гончар (6 января 1965 - 31 июля 2023) |
443 | 443 |
15 |
36 |
31 |
21 |
29 |
23 |
22 |
26 |
35 |
39 |
36 |
130 |
0 |
1 |
2 |
4 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
5 |
5 |
2 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Разговор с Александром Карцевым |
5385 | 414 |
15 |
69 |
40 |
31 |
37 |
28 |
29 |
25 |
48 |
33 |
31 |
28 |
0 |
0 |
2 |
1 |
1 |
1 |
5 |
0 |
1 |
3 |
1 |
1 |
1 |
5 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
4 |
2 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
2 |
4 |
9 |
10 |
6 |
9 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
9 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
|
История России в военных дневниках моего дедушки |
26630 | 372 |
12 |
32 |
40 |
25 |
23 |
28 |
28 |
31 |
48 |
30 |
36 |
39 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
4 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
3 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
|
Алексей Сквер "Забво" |
14515 | 365 |
12 |
30 |
32 |
26 |
27 |
46 |
29 |
28 |
44 |
31 |
33 |
27 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
1 |
3 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
5 |
3 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
|
О вреде самообмана, или кто наследует землю |
10998 | 345 |
15 |
41 |
41 |
26 |
30 |
29 |
23 |
24 |
38 |
27 |
23 |
28 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
2 |
5 |
5 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
13 |
2 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
|
Теория прозы |
8742 | 345 |
13 |
55 |
42 |
30 |
22 |
30 |
13 |
23 |
33 |
29 |
29 |
26 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
3 |
4 |
1 |
2 |
1 |
3 |
2 |
3 |
1 |
0 |
4 |
2 |
1 |
2 |
2 |
4 |
0 |
2 |
0 |
2 |
1 |
3 |
2 |
1 |
2 |
3 |
3 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
4 |
6 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
|
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20450 | 340 |
13 |
31 |
30 |
30 |
32 |
26 |
29 |
29 |
45 |
31 |
17 |
27 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
3 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Анатолий Гончар (Еременко) |
595 | 333 |
12 |
32 |
23 |
21 |
24 |
27 |
25 |
26 |
49 |
27 |
26 |
41 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
5 |
7 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
|
Разговор с Равилем Бикбаевым |
4877 | 322 |
9 |
25 |
25 |
22 |
22 |
28 |
26 |
22 |
41 |
36 |
27 |
39 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
4 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Оглянувшись в будущее |
8974 | 318 |
14 |
28 |
23 |
35 |
32 |
19 |
21 |
27 |
46 |
24 |
23 |
26 |
0 |
0 |
1 |
1 |
2 |
4 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Технология рассказа |
6016 | 312 |
9 |
32 |
33 |
18 |
25 |
25 |
20 |
22 |
49 |
24 |
22 |
33 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
7 |
0 |
2 |
2 |
1 |
0 |
1 |
5 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
5 |
2 |
2 |
7 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Равиль Бикбаев |
1200 | 308 |
14 |
31 |
20 |
27 |
27 |
23 |
27 |
24 |
37 |
28 |
21 |
29 |
0 |
0 |
2 |
2 |
0 |
1 |
4 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
5 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Разговор с Павлом Андреевым |
5832 | 304 |
10 |
21 |
21 |
27 |
27 |
27 |
21 |
26 |
48 |
21 |
26 |
29 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Разговор с Алексеем Сквером |
4343 | 298 |
8 |
32 |
36 |
21 |
20 |
30 |
18 |
23 |
43 |
19 |
22 |
26 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
|
"Город" Андрея Загорцева |
7535 | 298 |
15 |
31 |
22 |
24 |
27 |
23 |
23 |
20 |
40 |
26 |
20 |
27 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
3 |
1 |
1 |
5 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 |
|
Казус Бабченко, или Ни одна обезьяна |
9657 | 295 |
14 |
28 |
27 |
28 |
23 |
19 |
16 |
28 |
40 |
22 |
22 |
28 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Неистовый Глеб... |
4106 | 292 |
17 |
29 |
24 |
25 |
24 |
26 |
19 |
21 |
39 |
19 |
22 |
27 |
0 |
0 |
3 |
1 |
1 |
3 |
3 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
11036 | 291 |
9 |
26 |
22 |
23 |
28 |
27 |
19 |
30 |
43 |
17 |
18 |
29 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Александр Карцев |
3059 | 289 |
11 |
24 |
20 |
27 |
27 |
21 |
20 |
28 |
37 |
21 |
21 |
32 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Ярость бунта, или метафизика Беркема |
16443 | 286 |
10 |
21 |
22 |
26 |
29 |
26 |
20 |
26 |
38 |
25 |
17 |
26 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
|
"Мародер" Б. аль Атоми |
7830 | 284 |
12 |
28 |
25 |
22 |
20 |
25 |
20 |
23 |
39 |
20 |
21 |
29 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
4 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
5 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Нарастание пустоты (интервью журналу "Партия") |
5018 | 281 |
14 |
18 |
19 |
19 |
23 |
21 |
22 |
20 |
36 |
33 |
21 |
35 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Про Катю Наговицыну |
2349 | 278 |
11 |
25 |
21 |
58 |
18 |
22 |
16 |
17 |
31 |
19 |
14 |
26 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Виталий Носков (к 60-летию друга) |
5138 | 275 |
13 |
28 |
25 |
20 |
25 |
23 |
24 |
18 |
36 |
18 |
20 |
25 |
0 |
1 |
2 |
1 |
0 |
3 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Нам времени осталось мало |
7628 | 273 |
10 |
22 |
33 |
18 |
18 |
25 |
25 |
19 |
41 |
17 |
18 |
27 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
5 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7853 | 272 |
11 |
25 |
28 |
24 |
23 |
22 |
23 |
24 |
33 |
16 |
21 |
22 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Разговор с Анатолием Гончаром |
3816 | 272 |
12 |
22 |
20 |
19 |
23 |
33 |
18 |
18 |
40 |
19 |
18 |
30 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Алексей Ивакин |
4214 | 266 |
8 |
21 |
18 |
22 |
23 |
22 |
18 |
20 |
36 |
24 |
20 |
34 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Метаморфопсия, или Печальный Диверсант |
7212 | 261 |
9 |
25 |
23 |
25 |
22 |
21 |
20 |
19 |
33 |
18 |
20 |
26 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Две повести о войне |
13997 | 259 |
12 |
25 |
22 |
26 |
19 |
23 |
19 |
15 |
34 |
17 |
19 |
28 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
5 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Тонкая нить Андрея Загорцева |
7543 | 256 |
12 |
21 |
21 |
27 |
19 |
21 |
17 |
18 |
29 |
19 |
16 |
36 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Поэзия жизни и судьбы |
1797 | 253 |
10 |
26 |
21 |
18 |
26 |
29 |
13 |
15 |
32 |
20 |
21 |
22 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
"Обыкновенная жизнь" Анатолия Гончара |
5530 | 252 |
11 |
25 |
21 |
17 |
19 |
22 |
21 |
18 |
36 |
18 |
17 |
27 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Субъективные заметки о феврале и искусстве |
5274 | 250 |
12 |
22 |
21 |
22 |
19 |
22 |
24 |
14 |
31 |
22 |
16 |
25 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Дороги памяти... |
5045 | 248 |
11 |
21 |
20 |
25 |
17 |
29 |
17 |
18 |
29 |
18 |
16 |
27 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |