| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 |
По разделу |
325194 | 2795 |
235 |
256 |
247 |
227 |
212 |
232 |
228 |
207 |
224 |
231 |
256 |
240 |
0 |
7 |
6 |
8 |
8 |
11 |
7 |
9 |
7 |
7 |
9 |
7 |
7 |
9 |
6 |
7 |
10 |
8 |
11 |
8 |
11 |
8 |
11 |
8 |
8 |
8 |
11 |
10 |
8 |
7 |
8 |
9 |
6 |
7 |
7 |
7 |
7 |
10 |
6 |
10 |
10 |
8 |
8 |
7 |
8 |
9 |
8 |
6 |
7 |
8 |
7 |
8 |
9 |
8 |
7 |
18 |
9 |
8 |
9 |
10 |
7 |
7 |
Разговор с Андреем Загорцевым |
16727 | 2696 |
235 |
243 |
247 |
227 |
209 |
228 |
221 |
203 |
214 |
218 |
224 |
227 |
0 |
7 |
6 |
8 |
8 |
11 |
7 |
9 |
7 |
7 |
9 |
7 |
7 |
9 |
6 |
7 |
10 |
8 |
11 |
8 |
11 |
8 |
11 |
8 |
8 |
8 |
11 |
10 |
8 |
7 |
8 |
9 |
6 |
7 |
7 |
7 |
7 |
10 |
6 |
10 |
10 |
8 |
8 |
7 |
8 |
9 |
8 |
6 |
5 |
8 |
7 |
8 |
9 |
8 |
6 |
8 |
9 |
8 |
9 |
10 |
7 |
7 |
Две повести о войне |
13335 | 1457 |
13 |
13 |
13 |
21 |
110 |
186 |
192 |
180 |
186 |
179 |
184 |
180 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
19502 | 826 |
35 |
53 |
26 |
18 |
17 |
24 |
20 |
17 |
33 |
187 |
194 |
202 |
0 |
2 |
1 |
2 |
2 |
3 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
3 |
2 |
3 |
2 |
2 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
5 |
1 |
2 |
0 |
1 |
0 |
Окопные стихи |
3682 | 504 |
33 |
81 |
46 |
31 |
23 |
47 |
71 |
35 |
32 |
35 |
37 |
33 |
0 |
0 |
2 |
2 |
2 |
2 |
3 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
4 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
4 |
2 |
2 |
0 |
2 |
2 |
2 |
7 |
3 |
3 |
0 |
7 |
5 |
4 |
18 |
3 |
3 |
0 |
1 |
2 |
0 |
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
30613 | 487 |
30 |
47 |
49 |
76 |
54 |
60 |
38 |
29 |
29 |
20 |
26 |
29 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
3 |
3 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
6 |
4 |
3 |
3 |
0 |
0 |
2 |
1 |
Разговор с Павлом Андреевым |
4906 | 461 |
18 |
33 |
22 |
27 |
44 |
63 |
65 |
52 |
50 |
25 |
29 |
33 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
3 |
7 |
3 |
2 |
2 |
0 |
2 |
2 |
0 |
Равиль Бикбаев |
397 | 397 |
22 |
25 |
19 |
23 |
14 |
24 |
29 |
16 |
38 |
133 |
54 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
Алексей Сквер "Забво" |
13553 | 392 |
37 |
47 |
42 |
29 |
24 |
24 |
39 |
28 |
34 |
35 |
26 |
27 |
0 |
2 |
1 |
2 |
1 |
1 |
5 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
3 |
3 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
0 |
3 |
4 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
История России в военных дневниках моего дедушки |
25483 | 309 |
18 |
35 |
23 |
23 |
21 |
28 |
26 |
31 |
29 |
27 |
24 |
24 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
5 |
2 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
5 |
2 |
4 |
2 |
0 |
0 |
0 |
0 |
Теория прозы |
7796 | 298 |
38 |
55 |
17 |
19 |
20 |
25 |
32 |
12 |
19 |
19 |
21 |
21 |
0 |
4 |
1 |
2 |
1 |
1 |
3 |
2 |
3 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
1 |
5 |
3 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
3 |
2 |
1 |
2 |
2 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
Оглянувшись в будущее |
8162 | 271 |
16 |
28 |
31 |
23 |
14 |
19 |
32 |
21 |
23 |
19 |
15 |
30 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
Разговор с Александром Карцевым |
4483 | 262 |
25 |
27 |
24 |
20 |
14 |
23 |
24 |
23 |
19 |
22 |
21 |
20 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
Казус Бабченко, или Ни одна обезьяна |
8913 | 261 |
42 |
25 |
40 |
16 |
11 |
16 |
22 |
19 |
18 |
24 |
16 |
12 |
0 |
1 |
1 |
3 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
Уроки Александра Карцева |
7060 | 254 |
19 |
22 |
19 |
19 |
15 |
22 |
22 |
20 |
24 |
18 |
23 |
31 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
"Мародер" Б. аль Атоми |
7138 | 254 |
43 |
25 |
19 |
22 |
15 |
18 |
20 |
15 |
19 |
19 |
17 |
22 |
0 |
1 |
3 |
2 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
Алексей Ивакин |
3511 | 251 |
19 |
25 |
23 |
28 |
26 |
24 |
22 |
15 |
12 |
26 |
15 |
16 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
6 |
2 |
0 |
1 |
1 |
0 |
Неистовый Глеб... |
3405 | 243 |
17 |
22 |
21 |
20 |
10 |
15 |
24 |
23 |
19 |
16 |
28 |
28 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
4 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
Нам времени осталось мало |
6913 | 235 |
16 |
23 |
21 |
18 |
16 |
17 |
21 |
22 |
17 |
22 |
21 |
21 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
5 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
Разговор с Равилем Бикбаевым |
4116 | 231 |
17 |
18 |
19 |
18 |
18 |
19 |
18 |
20 |
20 |
17 |
20 |
27 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 |
"Город" Андрея Загорцева |
6765 | 230 |
15 |
20 |
17 |
21 |
18 |
17 |
24 |
19 |
19 |
18 |
19 |
23 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
О вреде самообмана, или кто наследует землю |
10135 | 228 |
14 |
17 |
19 |
20 |
16 |
19 |
22 |
19 |
20 |
32 |
11 |
19 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
10285 | 226 |
15 |
19 |
22 |
18 |
19 |
17 |
24 |
23 |
17 |
18 |
17 |
17 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
Метаморфопсия, или Печальный Диверсант |
6512 | 212 |
12 |
21 |
18 |
20 |
16 |
17 |
21 |
14 |
22 |
16 |
21 |
14 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
Ярость бунта, или метафизика Беркема |
15678 | 208 |
15 |
15 |
18 |
22 |
15 |
15 |
23 |
21 |
14 |
15 |
16 |
19 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
Боль памяти |
3996 | 200 |
17 |
23 |
16 |
13 |
14 |
12 |
17 |
15 |
13 |
12 |
28 |
20 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
5 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
Нарастание пустоты (интервью журналу "Партия") |
4311 | 198 |
13 |
19 |
19 |
15 |
12 |
22 |
21 |
18 |
15 |
17 |
14 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
4 |
0 |
Виталий Носков (к 60-летию друга) |
4460 | 198 |
16 |
15 |
15 |
16 |
13 |
15 |
19 |
19 |
15 |
21 |
20 |
14 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
Александр Карцев |
2344 | 198 |
14 |
16 |
20 |
17 |
17 |
15 |
18 |
12 |
15 |
25 |
16 |
13 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7158 | 194 |
15 |
20 |
17 |
15 |
10 |
15 |
18 |
17 |
16 |
19 |
16 |
16 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
5 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
Субъективные заметки о феврале и искусстве |
4655 | 194 |
14 |
15 |
16 |
16 |
13 |
13 |
22 |
16 |
16 |
18 |
21 |
14 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
Разговор с Алексеем Сквером |
3652 | 194 |
17 |
22 |
15 |
19 |
12 |
17 |
18 |
17 |
13 |
22 |
12 |
10 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
"Обыкновенная жизнь" Анатолия Гончара |
4874 | 189 |
13 |
17 |
19 |
16 |
8 |
22 |
20 |
14 |
17 |
22 |
10 |
11 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
О повести Алексея Козлачкова "Французский парашютист" |
1262 | 187 |
12 |
19 |
17 |
16 |
12 |
15 |
21 |
16 |
15 |
19 |
12 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
Сага порванных душ |
9401 | 187 |
12 |
18 |
16 |
14 |
14 |
18 |
19 |
16 |
17 |
14 |
15 |
14 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
Дороги памяти... |
4406 | 187 |
11 |
20 |
19 |
14 |
16 |
16 |
19 |
14 |
15 |
17 |
15 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
Разговор с Анатолием Гончаром |
3121 | 185 |
16 |
15 |
17 |
18 |
11 |
11 |
19 |
13 |
17 |
18 |
13 |
17 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
Технология рассказа |
5276 | 182 |
18 |
19 |
13 |
16 |
16 |
13 |
16 |
15 |
12 |
14 |
17 |
13 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
5 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
Про Катю Наговицыну |
1743 | 178 |
11 |
15 |
17 |
13 |
12 |
16 |
18 |
14 |
12 |
17 |
18 |
15 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
Поэзия жизни и судьбы |
1214 | 174 |
13 |
22 |
18 |
12 |
10 |
11 |
19 |
10 |
12 |
15 |
16 |
16 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |