| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 |
По разделу |
362517 | 1431 |
86 |
151 |
112 |
141 |
125 |
109 |
150 |
136 |
110 |
165 |
79 |
67 |
1 |
6 |
4 |
4 |
7 |
3 |
4 |
2 |
2 |
3 |
3 |
4 |
3 |
7 |
5 |
2 |
3 |
5 |
2 |
3 |
4 |
4 |
5 |
3 |
5 |
8 |
12 |
13 |
5 |
6 |
4 |
4 |
3 |
6 |
3 |
4 |
10 |
3 |
7 |
5 |
4 |
3 |
8 |
5 |
6 |
3 |
2 |
3 |
2 |
4 |
3 |
3 |
4 |
4 |
6 |
3 |
4 |
3 |
4 |
2 |
4 |
3 |
Уроки Александра Карцева |
8180 | 681 |
60 |
98 |
78 |
108 |
109 |
41 |
84 |
28 |
19 |
33 |
15 |
8 |
0 |
4 |
4 |
1 |
1 |
3 |
3 |
1 |
2 |
3 |
2 |
4 |
3 |
7 |
0 |
1 |
3 |
5 |
1 |
3 |
0 |
4 |
5 |
3 |
3 |
1 |
3 |
4 |
5 |
6 |
3 |
3 |
3 |
3 |
2 |
4 |
10 |
3 |
2 |
5 |
2 |
3 |
8 |
5 |
6 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
3 |
6 |
0 |
3 |
2 |
3 |
2 |
4 |
1 |
Окопные стихи |
5477 | 653 |
30 |
39 |
38 |
52 |
39 |
56 |
101 |
95 |
86 |
53 |
32 |
32 |
1 |
3 |
1 |
1 |
5 |
1 |
4 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
4 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
32147 | 547 |
33 |
47 |
44 |
46 |
43 |
52 |
68 |
63 |
44 |
47 |
33 |
27 |
0 |
2 |
0 |
4 |
1 |
1 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
3 |
0 |
3 |
0 |
2 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
3 |
4 |
0 |
4 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
5 |
3 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
1 |
2 |
0 |
0 |
2 |
Разговор с Андреем Загорцевым |
22013 | 458 |
20 |
46 |
45 |
30 |
27 |
30 |
52 |
46 |
40 |
61 |
39 |
22 |
0 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
3 |
0 |
0 |
4 |
1 |
1 |
2 |
0 |
4 |
3 |
2 |
3 |
2 |
4 |
1 |
0 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
Анатолий Гончар (6 января 1965 - 31 июля 2023) |
380 | 380 |
19 |
21 |
29 |
23 |
22 |
26 |
35 |
39 |
36 |
130 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
История России в военных дневниках моего дедушки |
26574 | 364 |
28 |
25 |
23 |
28 |
28 |
31 |
48 |
30 |
36 |
39 |
24 |
24 |
0 |
1 |
1 |
0 |
2 |
3 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
Алексей Сквер "Забво" |
14464 | 338 |
23 |
26 |
27 |
46 |
29 |
28 |
44 |
31 |
33 |
27 |
14 |
10 |
0 |
3 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
4 |
2 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
Разговор с Александром Карцевым |
5283 | 336 |
22 |
31 |
37 |
28 |
29 |
25 |
48 |
33 |
31 |
28 |
13 |
11 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
5 |
4 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
Разговор с Павлом Андреевым |
5794 | 321 |
14 |
27 |
27 |
27 |
21 |
26 |
48 |
21 |
26 |
29 |
45 |
10 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
Анатолий Гончар (Еременко) |
546 | 313 |
18 |
21 |
24 |
27 |
25 |
26 |
49 |
27 |
26 |
41 |
15 |
14 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20394 | 310 |
18 |
30 |
32 |
26 |
29 |
29 |
45 |
31 |
17 |
27 |
16 |
10 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
6 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
Разговор с Равилем Бикбаевым |
4832 | 297 |
14 |
22 |
22 |
28 |
26 |
22 |
41 |
36 |
27 |
39 |
12 |
8 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
О вреде самообмана, или кто наследует землю |
10919 | 293 |
18 |
26 |
30 |
29 |
23 |
24 |
38 |
27 |
23 |
28 |
16 |
11 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
4 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
Оглянувшись в будущее |
8924 | 288 |
15 |
35 |
32 |
19 |
21 |
27 |
46 |
24 |
23 |
26 |
12 |
8 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
4 |
1 |
2 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
1 |
0 |
Теория прозы |
8661 | 288 |
29 |
30 |
22 |
30 |
13 |
23 |
33 |
29 |
29 |
26 |
14 |
10 |
0 |
6 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
4 |
5 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
Технология рассказа |
5970 | 286 |
28 |
18 |
25 |
25 |
20 |
22 |
49 |
24 |
22 |
33 |
12 |
8 |
0 |
5 |
2 |
2 |
7 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
Равиль Бикбаев |
1148 | 278 |
13 |
27 |
27 |
23 |
27 |
24 |
37 |
28 |
21 |
29 |
12 |
10 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
10992 | 274 |
13 |
23 |
28 |
27 |
19 |
30 |
43 |
17 |
18 |
29 |
19 |
8 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
7 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
Нарастание пустоты (интервью журналу "Партия") |
4979 | 274 |
12 |
19 |
23 |
21 |
22 |
20 |
36 |
33 |
21 |
35 |
23 |
9 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 |
Александр Карцев |
3017 | 271 |
13 |
27 |
27 |
21 |
20 |
28 |
37 |
21 |
21 |
32 |
16 |
8 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
Ярость бунта, или метафизика Беркема |
16405 | 269 |
15 |
26 |
29 |
26 |
20 |
26 |
38 |
25 |
17 |
26 |
14 |
7 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
"Город" Андрея Загорцева |
7485 | 269 |
18 |
24 |
27 |
23 |
23 |
20 |
40 |
26 |
20 |
27 |
14 |
7 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
Разговор с Алексеем Сквером |
4291 | 266 |
24 |
21 |
20 |
30 |
18 |
23 |
43 |
19 |
22 |
26 |
13 |
7 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
Разговор с Анатолием Гончаром |
3774 | 263 |
12 |
19 |
23 |
33 |
18 |
18 |
40 |
19 |
18 |
30 |
13 |
20 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
Казус Бабченко, или Ни одна обезьяна |
9604 | 262 |
16 |
28 |
23 |
19 |
16 |
28 |
40 |
22 |
22 |
28 |
13 |
7 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
Неистовый Глеб... |
4053 | 261 |
17 |
25 |
24 |
26 |
19 |
21 |
39 |
19 |
22 |
27 |
12 |
10 |
0 |
0 |
1 |
4 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
Нам времени осталось мало |
7585 | 255 |
22 |
18 |
18 |
25 |
25 |
19 |
41 |
17 |
18 |
27 |
14 |
11 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
"Мародер" Б. аль Атоми |
7781 | 252 |
16 |
22 |
20 |
25 |
20 |
23 |
39 |
20 |
21 |
29 |
12 |
5 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
Алексей Ивакин |
4179 | 250 |
12 |
22 |
23 |
22 |
18 |
20 |
36 |
24 |
20 |
34 |
13 |
6 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Про Катю Наговицыну |
2304 | 249 |
12 |
58 |
18 |
22 |
16 |
17 |
31 |
19 |
14 |
26 |
8 |
8 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
5 |
8 |
12 |
13 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7807 | 247 |
18 |
24 |
23 |
22 |
23 |
24 |
33 |
16 |
21 |
22 |
15 |
6 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
2 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
Виталий Носков (к 60-летию друга) |
5087 | 243 |
15 |
20 |
25 |
23 |
24 |
18 |
36 |
18 |
20 |
25 |
12 |
7 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
Метаморфопсия, или Печальный Диверсант |
7167 | 236 |
12 |
25 |
22 |
21 |
20 |
19 |
33 |
18 |
20 |
26 |
13 |
7 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
"Обыкновенная жизнь" Анатолия Гончара |
5488 | 230 |
15 |
17 |
19 |
22 |
21 |
18 |
36 |
18 |
17 |
27 |
14 |
6 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
Тонкая нить Андрея Загорцева |
7501 | 230 |
12 |
27 |
19 |
21 |
17 |
18 |
29 |
19 |
16 |
36 |
11 |
5 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
Две повести о войне |
13952 | 230 |
14 |
26 |
19 |
23 |
19 |
15 |
34 |
17 |
19 |
28 |
8 |
8 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
О повести Алексея Козлачкова "Французский парашютист" |
1859 | 225 |
13 |
18 |
24 |
20 |
15 |
21 |
30 |
18 |
18 |
24 |
15 |
9 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
Субъективные заметки о феврале и искусстве |
5230 | 225 |
11 |
22 |
19 |
22 |
24 |
14 |
31 |
22 |
16 |
25 |
11 |
8 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
Дороги памяти... |
5004 | 223 |
11 |
25 |
17 |
29 |
17 |
18 |
29 |
18 |
16 |
27 |
10 |
6 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |