| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
По разделу |
355421 | 1311 |
96 |
136 |
110 |
165 |
79 |
67 |
80 |
81 |
173 |
110 |
77 |
137 |
1 |
6 |
4 |
10 |
8 |
6 |
3 |
5 |
4 |
3 |
4 |
5 |
10 |
4 |
2 |
4 |
4 |
6 |
3 |
4 |
8 |
5 |
8 |
2 |
3 |
3 |
7 |
4 |
5 |
2 |
3 |
3 |
3 |
5 |
6 |
7 |
2 |
4 |
8 |
3 |
5 |
3 |
3 |
3 |
5 |
3 |
2 |
5 |
6 |
4 |
6 |
4 |
4 |
4 |
3 |
4 |
3 |
5 |
3 |
9 |
4 |
5 |
Окопные стихи |
5191 | 632 |
69 |
95 |
86 |
53 |
32 |
32 |
43 |
35 |
42 |
48 |
35 |
62 |
0 |
2 |
4 |
8 |
8 |
1 |
3 |
1 |
4 |
2 |
1 |
3 |
10 |
4 |
1 |
2 |
3 |
6 |
3 |
3 |
4 |
3 |
7 |
1 |
3 |
3 |
2 |
4 |
5 |
1 |
2 |
2 |
2 |
1 |
6 |
7 |
2 |
0 |
8 |
3 |
3 |
2 |
3 |
2 |
1 |
0 |
1 |
5 |
6 |
0 |
6 |
2 |
4 |
2 |
1 |
4 |
3 |
3 |
2 |
9 |
4 |
3 |
Разговор с Андреем Загорцевым |
21803 | 560 |
40 |
46 |
40 |
61 |
39 |
22 |
47 |
32 |
39 |
38 |
45 |
111 |
0 |
2 |
3 |
6 |
3 |
1 |
3 |
4 |
2 |
0 |
0 |
2 |
2 |
3 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
2 |
7 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
2 |
0 |
1 |
1 |
1 |
5 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
3 |
0 |
3 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
31863 | 481 |
49 |
63 |
44 |
47 |
33 |
27 |
38 |
34 |
51 |
36 |
27 |
32 |
1 |
4 |
4 |
6 |
4 |
0 |
3 |
0 |
4 |
1 |
3 |
2 |
1 |
2 |
0 |
4 |
2 |
4 |
2 |
2 |
1 |
4 |
7 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
3 |
3 |
0 |
3 |
6 |
4 |
1 |
1 |
1 |
0 |
4 |
3 |
1 |
0 |
5 |
0 |
1 |
1 |
5 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
0 |
Анатолий Гончар (Еременко) |
393 | 393 |
37 |
27 |
26 |
41 |
15 |
14 |
27 |
22 |
162 |
22 |
0 |
0 |
0 |
1 |
3 |
6 |
4 |
6 |
3 |
0 |
1 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
История России в военных дневниках моего дедушки |
26399 | 344 |
36 |
30 |
36 |
39 |
24 |
24 |
29 |
31 |
27 |
19 |
25 |
24 |
0 |
1 |
2 |
7 |
3 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
5 |
3 |
0 |
1 |
0 |
Разговор с Павлом Андреевым |
5640 | 281 |
36 |
21 |
26 |
29 |
45 |
10 |
13 |
15 |
23 |
19 |
24 |
20 |
0 |
1 |
2 |
7 |
5 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
Алексей Сквер "Забво" |
14273 | 260 |
32 |
31 |
33 |
27 |
14 |
10 |
18 |
19 |
22 |
17 |
14 |
23 |
0 |
0 |
2 |
6 |
4 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
4 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
4 |
1 |
0 |
4 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
Теория прозы |
8505 | 244 |
24 |
29 |
29 |
26 |
14 |
10 |
15 |
18 |
15 |
26 |
21 |
17 |
0 |
0 |
0 |
6 |
3 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
5 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
Разговор с Александром Карцевым |
5099 | 242 |
36 |
33 |
31 |
28 |
13 |
11 |
15 |
15 |
14 |
11 |
15 |
20 |
0 |
0 |
4 |
7 |
3 |
2 |
2 |
1 |
1 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
4 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
5 |
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20215 | 236 |
30 |
31 |
17 |
27 |
16 |
10 |
13 |
15 |
20 |
21 |
21 |
15 |
0 |
1 |
3 |
5 |
4 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
3 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
Оглянувшись в будущее |
8763 | 235 |
34 |
24 |
23 |
26 |
12 |
8 |
17 |
19 |
21 |
17 |
17 |
17 |
0 |
2 |
3 |
10 |
4 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
3 |
0 |
0 |
0 |
Разговор с Равилем Бикбаевым |
4682 | 235 |
25 |
36 |
27 |
39 |
12 |
8 |
13 |
13 |
19 |
14 |
13 |
16 |
0 |
0 |
1 |
6 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
5 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
2 |
2 |
2 |
3 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
О вреде самообмана, или кто наследует землю |
10758 | 230 |
27 |
27 |
23 |
28 |
16 |
11 |
18 |
17 |
22 |
13 |
12 |
16 |
0 |
1 |
2 |
5 |
4 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
Равиль Бикбаев |
998 | 230 |
28 |
28 |
21 |
29 |
12 |
10 |
15 |
20 |
20 |
15 |
18 |
14 |
0 |
1 |
2 |
6 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
4 |
8 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
Анатолий Гончар (6 января 1965 - 31 июля 2023) |
228 | 228 |
23 |
39 |
36 |
130 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
6 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
5 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
Нарастание пустоты (интервью журналу "Партия") |
4854 | 228 |
28 |
33 |
21 |
35 |
23 |
9 |
15 |
9 |
15 |
14 |
14 |
12 |
0 |
0 |
2 |
6 |
4 |
4 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
7 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
"Город" Андрея Загорцева |
7338 | 225 |
28 |
26 |
20 |
27 |
14 |
7 |
14 |
16 |
27 |
16 |
14 |
16 |
0 |
0 |
2 |
6 |
4 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
3 |
1 |
1 |
8 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
Разговор с Анатолием Гончаром |
3639 | 224 |
28 |
19 |
18 |
30 |
13 |
20 |
15 |
16 |
20 |
19 |
14 |
12 |
0 |
1 |
2 |
6 |
5 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
Уроки Александра Карцева |
7635 | 222 |
33 |
28 |
19 |
33 |
15 |
8 |
16 |
12 |
19 |
10 |
13 |
16 |
0 |
6 |
2 |
6 |
4 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
5 |
0 |
1 |
0 |
2 |
0 |
5 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
10843 | 214 |
34 |
17 |
18 |
29 |
19 |
8 |
13 |
15 |
20 |
13 |
12 |
16 |
0 |
1 |
3 |
6 |
4 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
2 |
4 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
Ярость бунта, или метафизика Беркема |
16254 | 214 |
29 |
25 |
17 |
26 |
14 |
7 |
12 |
16 |
19 |
19 |
16 |
14 |
0 |
2 |
1 |
6 |
4 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
0 |
2 |
0 |
1 |
5 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
Технология рассказа |
5819 | 210 |
36 |
24 |
22 |
33 |
12 |
8 |
13 |
15 |
13 |
11 |
11 |
12 |
0 |
3 |
2 |
7 |
3 |
1 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
Александр Карцев |
2870 | 208 |
26 |
21 |
21 |
32 |
16 |
8 |
12 |
15 |
23 |
14 |
8 |
12 |
0 |
1 |
3 |
6 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
0 |
2 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
Алексей Ивакин |
4055 | 205 |
29 |
24 |
20 |
34 |
13 |
6 |
15 |
13 |
15 |
12 |
14 |
10 |
0 |
2 |
2 |
6 |
4 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
6 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
Неистовый Глеб... |
3914 | 199 |
32 |
19 |
22 |
27 |
12 |
10 |
10 |
11 |
17 |
14 |
12 |
13 |
0 |
2 |
2 |
6 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
4 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
Метаморфопсия, или Печальный Диверсант |
7040 | 194 |
25 |
18 |
20 |
26 |
13 |
7 |
16 |
16 |
16 |
13 |
9 |
15 |
0 |
1 |
1 |
6 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
"Мародер" Б. аль Атоми |
7647 | 194 |
31 |
20 |
21 |
29 |
12 |
5 |
12 |
14 |
10 |
11 |
14 |
15 |
0 |
1 |
4 |
5 |
5 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
4 |
1 |
3 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
Разговор с Алексеем Сквером |
4147 | 194 |
35 |
19 |
22 |
26 |
13 |
7 |
12 |
13 |
13 |
9 |
11 |
14 |
0 |
2 |
2 |
7 |
6 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
Казус Бабченко, или Ни одна обезьяна |
9462 | 193 |
28 |
22 |
22 |
28 |
13 |
7 |
12 |
15 |
14 |
7 |
13 |
12 |
0 |
1 |
2 |
7 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
6 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
Нам времени осталось мало |
7445 | 191 |
28 |
17 |
18 |
27 |
14 |
11 |
10 |
14 |
13 |
10 |
10 |
19 |
0 |
1 |
1 |
6 |
3 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
Тонкая нить Андрея Загорцева |
7380 | 190 |
22 |
19 |
16 |
36 |
11 |
5 |
21 |
10 |
16 |
8 |
9 |
17 |
0 |
0 |
4 |
5 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
"Обыкновенная жизнь" Анатолия Гончара |
5368 | 184 |
28 |
18 |
17 |
27 |
14 |
6 |
12 |
11 |
17 |
13 |
10 |
11 |
0 |
0 |
3 |
6 |
3 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
О повести Алексея Козлачкова "Французский парашютист" |
1742 | 181 |
24 |
18 |
18 |
24 |
15 |
9 |
11 |
15 |
14 |
10 |
12 |
11 |
0 |
1 |
2 |
6 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
"Данила" Александра Карцева |
6785 | 179 |
25 |
19 |
17 |
22 |
10 |
8 |
11 |
12 |
12 |
14 |
16 |
13 |
0 |
0 |
3 |
6 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
Виталий Носков (к 60-летию друга) |
4954 | 178 |
28 |
18 |
20 |
25 |
12 |
7 |
13 |
12 |
10 |
12 |
11 |
10 |
0 |
1 |
2 |
7 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
5 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7662 | 177 |
22 |
16 |
21 |
22 |
15 |
6 |
12 |
11 |
15 |
10 |
10 |
17 |
0 |
1 |
1 |
6 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
Субъективные заметки о феврале и искусстве |
5111 | 176 |
24 |
22 |
16 |
25 |
11 |
8 |
8 |
10 |
13 |
9 |
13 |
17 |
0 |
1 |
1 |
6 |
3 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
Две повести о войне |
13826 | 174 |
24 |
17 |
19 |
28 |
8 |
8 |
10 |
14 |
11 |
10 |
14 |
11 |
0 |
0 |
2 |
6 |
4 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
Поэзия жизни и судьбы |
1632 | 172 |
25 |
20 |
21 |
22 |
8 |
6 |
11 |
13 |
17 |
11 |
8 |
10 |
0 |
3 |
3 |
5 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |