| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
|
По разделу |
364372 | 1487 |
3 |
151 |
134 |
151 |
112 |
141 |
125 |
109 |
150 |
136 |
110 |
165 |
0 |
3 |
3 |
3 |
5 |
6 |
4 |
3 |
8 |
7 |
12 |
5 |
3 |
7 |
3 |
3 |
4 |
3 |
5 |
4 |
5 |
2 |
4 |
5 |
9 |
10 |
6 |
9 |
5 |
4 |
2 |
2 |
2 |
3 |
4 |
9 |
5 |
13 |
4 |
4 |
5 |
6 |
4 |
4 |
7 |
3 |
4 |
2 |
2 |
3 |
3 |
4 |
3 |
7 |
5 |
2 |
3 |
5 |
2 |
3 |
4 |
4 |
|
Уроки Александра Карцева |
8283 | 761 |
1 |
84 |
78 |
98 |
78 |
108 |
109 |
41 |
84 |
28 |
19 |
33 |
0 |
1 |
3 |
0 |
5 |
5 |
4 |
1 |
8 |
3 |
12 |
5 |
1 |
3 |
2 |
3 |
4 |
1 |
2 |
4 |
3 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
5 |
3 |
4 |
0 |
1 |
4 |
4 |
1 |
1 |
3 |
3 |
1 |
2 |
3 |
2 |
4 |
3 |
7 |
0 |
1 |
3 |
5 |
1 |
3 |
0 |
4 |
|
Окопные стихи |
5544 | 656 |
3 |
50 |
44 |
39 |
38 |
52 |
39 |
56 |
101 |
95 |
86 |
53 |
0 |
3 |
1 |
2 |
1 |
6 |
0 |
0 |
4 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
5 |
0 |
1 |
3 |
2 |
2 |
4 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
3 |
2 |
1 |
1 |
3 |
1 |
1 |
5 |
1 |
4 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
|
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
32221 | 561 |
1 |
57 |
49 |
47 |
44 |
46 |
43 |
52 |
68 |
63 |
44 |
47 |
0 |
1 |
3 |
1 |
3 |
3 |
1 |
3 |
2 |
4 |
0 |
2 |
1 |
3 |
2 |
0 |
3 |
1 |
5 |
1 |
5 |
0 |
4 |
0 |
2 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
3 |
3 |
2 |
0 |
2 |
3 |
2 |
0 |
4 |
1 |
1 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
3 |
0 |
3 |
0 |
2 |
0 |
4 |
1 |
|
Разговор с Андреем Загорцевым |
22060 | 444 |
2 |
34 |
31 |
46 |
45 |
30 |
27 |
30 |
52 |
46 |
40 |
61 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
|
Анатолий Гончар (6 января 1965 - 31 июля 2023) |
428 | 428 |
0 |
36 |
31 |
21 |
29 |
23 |
22 |
26 |
35 |
39 |
36 |
130 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
5 |
5 |
2 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
|
Разговор с Александром Карцевым |
5371 | 400 |
1 |
69 |
40 |
31 |
37 |
28 |
29 |
25 |
48 |
33 |
31 |
28 |
0 |
1 |
1 |
1 |
5 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
4 |
2 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
2 |
4 |
9 |
10 |
6 |
9 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
9 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
|
История России в военных дневниках моего дедушки |
26619 | 361 |
1 |
32 |
40 |
25 |
23 |
28 |
28 |
31 |
48 |
30 |
36 |
39 |
0 |
1 |
1 |
0 |
1 |
4 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
3 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
3 |
|
Алексей Сквер "Забво" |
14506 | 356 |
3 |
30 |
32 |
26 |
27 |
46 |
29 |
28 |
44 |
31 |
33 |
27 |
0 |
3 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
5 |
3 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
|
О вреде самообмана, или кто наследует землю |
10986 | 333 |
3 |
41 |
41 |
26 |
30 |
29 |
23 |
24 |
38 |
27 |
23 |
28 |
0 |
3 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
2 |
5 |
5 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
13 |
2 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
|
Теория прозы |
8730 | 333 |
1 |
55 |
42 |
30 |
22 |
30 |
13 |
23 |
33 |
29 |
29 |
26 |
0 |
1 |
0 |
3 |
4 |
1 |
2 |
1 |
3 |
2 |
3 |
1 |
0 |
4 |
2 |
1 |
2 |
2 |
4 |
0 |
2 |
0 |
2 |
1 |
3 |
2 |
1 |
2 |
3 |
3 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
4 |
6 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
4 |
5 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
|
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20438 | 328 |
1 |
31 |
30 |
30 |
32 |
26 |
29 |
29 |
45 |
31 |
17 |
27 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
3 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
|
Анатолий Гончар (Еременко) |
584 | 322 |
1 |
32 |
23 |
21 |
24 |
27 |
25 |
26 |
49 |
27 |
26 |
41 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
5 |
7 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
|
Разговор с Равилем Бикбаевым |
4868 | 313 |
0 |
25 |
25 |
22 |
22 |
28 |
26 |
22 |
41 |
36 |
27 |
39 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
|
Оглянувшись в будущее |
8961 | 305 |
1 |
28 |
23 |
35 |
32 |
19 |
21 |
27 |
46 |
24 |
23 |
26 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
|
Технология рассказа |
6009 | 305 |
2 |
32 |
33 |
18 |
25 |
25 |
20 |
22 |
49 |
24 |
22 |
33 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
7 |
0 |
2 |
2 |
1 |
0 |
1 |
5 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
5 |
2 |
2 |
7 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
|
Равиль Бикбаев |
1187 | 295 |
1 |
31 |
20 |
27 |
27 |
23 |
27 |
24 |
37 |
28 |
21 |
29 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
5 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
|
Разговор с Павлом Андреевым |
5822 | 294 |
0 |
21 |
21 |
27 |
27 |
27 |
21 |
26 |
48 |
21 |
26 |
29 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Разговор с Алексеем Сквером |
4335 | 290 |
0 |
32 |
36 |
21 |
20 |
30 |
18 |
23 |
43 |
19 |
22 |
26 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
|
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
11029 | 284 |
2 |
26 |
22 |
23 |
28 |
27 |
19 |
30 |
43 |
17 |
18 |
29 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
|
"Город" Андрея Загорцева |
7521 | 284 |
1 |
31 |
22 |
24 |
27 |
23 |
23 |
20 |
40 |
26 |
20 |
27 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
3 |
1 |
1 |
5 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
|
Казус Бабченко, или Ни одна обезьяна |
9645 | 283 |
2 |
28 |
27 |
28 |
23 |
19 |
16 |
28 |
40 |
22 |
22 |
28 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
|
Александр Карцев |
3049 | 279 |
1 |
24 |
20 |
27 |
27 |
21 |
20 |
28 |
37 |
21 |
21 |
32 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
|
Неистовый Глеб... |
4091 | 277 |
2 |
29 |
24 |
25 |
24 |
26 |
19 |
21 |
39 |
19 |
22 |
27 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
|
Ярость бунта, или метафизика Беркема |
16434 | 277 |
1 |
21 |
22 |
26 |
29 |
26 |
20 |
26 |
38 |
25 |
17 |
26 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
|
"Мародер" Б. аль Атоми |
7819 | 273 |
1 |
28 |
25 |
22 |
20 |
25 |
20 |
23 |
39 |
20 |
21 |
29 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
4 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
5 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
|
Нарастание пустоты (интервью журналу "Партия") |
5005 | 268 |
1 |
18 |
19 |
19 |
23 |
21 |
22 |
20 |
36 |
33 |
21 |
35 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
|
Про Катю Наговицыну |
2339 | 268 |
1 |
25 |
21 |
58 |
18 |
22 |
16 |
17 |
31 |
19 |
14 |
26 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Виталий Носков (к 60-летию друга) |
5126 | 263 |
1 |
28 |
25 |
20 |
25 |
23 |
24 |
18 |
36 |
18 |
20 |
25 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
|
Нам времени осталось мало |
7618 | 263 |
0 |
22 |
33 |
18 |
18 |
25 |
25 |
19 |
41 |
17 |
18 |
27 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
5 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
|
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7843 | 262 |
1 |
25 |
28 |
24 |
23 |
22 |
23 |
24 |
33 |
16 |
21 |
22 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
|
Разговор с Анатолием Гончаром |
3804 | 260 |
0 |
22 |
20 |
19 |
23 |
33 |
18 |
18 |
40 |
19 |
18 |
30 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
|
Алексей Ивакин |
4207 | 259 |
1 |
21 |
18 |
22 |
23 |
22 |
18 |
20 |
36 |
24 |
20 |
34 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
|
Метаморфопсия, или Печальный Диверсант |
7204 | 253 |
1 |
25 |
23 |
25 |
22 |
21 |
20 |
19 |
33 |
18 |
20 |
26 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Две повести о войне |
13986 | 248 |
1 |
25 |
22 |
26 |
19 |
23 |
19 |
15 |
34 |
17 |
19 |
28 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
5 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
|
Тонкая нить Андрея Загорцева |
7534 | 247 |
3 |
21 |
21 |
27 |
19 |
21 |
17 |
18 |
29 |
19 |
16 |
36 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Поэзия жизни и судьбы |
1787 | 243 |
0 |
26 |
21 |
18 |
26 |
29 |
13 |
15 |
32 |
20 |
21 |
22 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
|
"Обыкновенная жизнь" Анатолия Гончара |
5520 | 242 |
1 |
25 |
21 |
17 |
19 |
22 |
21 |
18 |
36 |
18 |
17 |
27 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
|
Субъективные заметки о феврале и искусстве |
5263 | 239 |
1 |
22 |
21 |
22 |
19 |
22 |
24 |
14 |
31 |
22 |
16 |
25 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Дороги памяти... |
5035 | 238 |
1 |
21 |
20 |
25 |
17 |
29 |
17 |
18 |
29 |
18 |
16 |
27 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |