| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 |
|
По разделу |
372494 | 1404 |
40 |
107 |
137 |
118 |
106 |
109 |
120 |
107 |
124 |
151 |
134 |
151 |
0 |
5 |
4 |
4 |
4 |
6 |
2 |
3 |
4 |
5 |
3 |
4 |
4 |
5 |
4 |
3 |
3 |
4 |
4 |
3 |
3 |
4 |
2 |
3 |
3 |
3 |
3 |
2 |
4 |
2 |
3 |
2 |
3 |
3 |
16 |
3 |
2 |
3 |
2 |
2 |
3 |
2 |
16 |
3 |
1 |
5 |
2 |
2 |
2 |
13 |
6 |
2 |
9 |
5 |
9 |
3 |
3 |
2 |
3 |
9 |
4 |
3 |
|
Уроки Александра Карцева |
8733 | 711 |
12 |
21 |
24 |
65 |
63 |
70 |
48 |
64 |
84 |
84 |
78 |
98 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
|
Окопные стихи |
5993 | 585 |
20 |
55 |
55 |
50 |
57 |
54 |
75 |
46 |
40 |
50 |
44 |
39 |
0 |
1 |
2 |
2 |
2 |
6 |
1 |
0 |
3 |
3 |
0 |
4 |
3 |
1 |
1 |
1 |
0 |
3 |
4 |
2 |
0 |
4 |
1 |
3 |
3 |
1 |
3 |
1 |
4 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
5 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
3 |
9 |
3 |
0 |
1 |
2 |
1 |
4 |
2 |
|
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
32614 | 547 |
14 |
41 |
46 |
40 |
53 |
44 |
55 |
42 |
59 |
57 |
49 |
47 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
3 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
4 |
1 |
3 |
2 |
3 |
0 |
2 |
1 |
3 |
1 |
4 |
2 |
|
Разговор с Андреем Загорцевым |
22374 | 427 |
24 |
55 |
30 |
39 |
32 |
26 |
24 |
43 |
43 |
34 |
31 |
46 |
0 |
3 |
2 |
2 |
3 |
3 |
2 |
3 |
2 |
2 |
2 |
1 |
4 |
5 |
4 |
1 |
1 |
3 |
2 |
2 |
3 |
1 |
0 |
0 |
3 |
3 |
0 |
2 |
2 |
2 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
|
Разговор с Алексеем Сквером |
4612 | 366 |
14 |
38 |
82 |
28 |
23 |
28 |
20 |
13 |
31 |
32 |
36 |
21 |
0 |
1 |
2 |
1 |
3 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
16 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
16 |
1 |
0 |
1 |
0 |
0 |
1 |
13 |
6 |
0 |
9 |
5 |
1 |
0 |
0 |
0 |
1 |
9 |
3 |
3 |
|
Теория прозы |
8962 | 360 |
14 |
20 |
22 |
24 |
25 |
38 |
22 |
23 |
45 |
55 |
42 |
30 |
0 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
|
Разговор с Александром Карцевым |
5587 | 357 |
17 |
19 |
21 |
24 |
16 |
20 |
29 |
32 |
39 |
69 |
40 |
31 |
0 |
4 |
2 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
|
Алексей Сквер "Забво" |
14734 | 319 |
15 |
30 |
23 |
24 |
24 |
17 |
32 |
30 |
36 |
30 |
32 |
26 |
0 |
4 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
|
История России в военных дневниках моего дедушки |
26822 | 301 |
19 |
28 |
23 |
16 |
31 |
21 |
15 |
24 |
27 |
32 |
40 |
25 |
0 |
4 |
2 |
3 |
2 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
4 |
2 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Технология рассказа |
6218 | 294 |
14 |
23 |
19 |
43 |
36 |
17 |
12 |
20 |
27 |
32 |
33 |
18 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
|
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20632 | 286 |
21 |
20 |
18 |
17 |
14 |
27 |
18 |
14 |
46 |
31 |
30 |
30 |
0 |
3 |
4 |
1 |
1 |
3 |
0 |
1 |
3 |
4 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
|
О вреде самообмана, или кто наследует землю |
11152 | 277 |
15 |
20 |
22 |
16 |
16 |
19 |
13 |
16 |
32 |
41 |
41 |
26 |
0 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
|
"Город" Андрея Загорцева |
7707 | 264 |
12 |
19 |
18 |
25 |
27 |
19 |
12 |
21 |
34 |
31 |
22 |
24 |
0 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
|
Анатолий Гончар (Еременко) |
769 | 262 |
12 |
21 |
31 |
18 |
24 |
16 |
16 |
21 |
27 |
32 |
23 |
21 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
|
Равиль Бикбаев |
1365 | 257 |
12 |
23 |
30 |
21 |
18 |
13 |
15 |
16 |
31 |
31 |
20 |
27 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
|
Анатолий Гончар (6 января 1965 - 31 июля 2023) |
588 | 248 |
9 |
20 |
24 |
18 |
10 |
18 |
17 |
17 |
27 |
36 |
31 |
21 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
3 |
|
Оглянувшись в будущее |
9118 | 244 |
13 |
22 |
19 |
18 |
13 |
16 |
12 |
17 |
28 |
28 |
23 |
35 |
0 |
1 |
2 |
4 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
|
Про Катю Наговицыну |
2473 | 239 |
5 |
13 |
18 |
16 |
15 |
13 |
9 |
15 |
31 |
25 |
21 |
58 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
|
Разговор с Павлом Андреевым |
5989 | 236 |
10 |
26 |
23 |
19 |
17 |
17 |
12 |
14 |
29 |
21 |
21 |
27 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
2 |
4 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 |
|
"Мародер" Б. аль Атоми |
7977 | 234 |
12 |
25 |
19 |
13 |
18 |
14 |
13 |
20 |
25 |
28 |
25 |
22 |
0 |
2 |
4 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
|
Неистовый Глеб... |
4242 | 231 |
13 |
16 |
19 |
13 |
20 |
15 |
11 |
14 |
32 |
29 |
24 |
25 |
0 |
2 |
4 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
|
Казус Бабченко, или Ни одна обезьяна |
9791 | 231 |
10 |
14 |
18 |
16 |
15 |
14 |
12 |
17 |
32 |
28 |
27 |
28 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
|
Александр Карцев |
3205 | 228 |
12 |
16 |
19 |
12 |
9 |
22 |
15 |
23 |
29 |
24 |
20 |
27 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
|
Две повести о войне |
14138 | 226 |
15 |
21 |
17 |
17 |
14 |
14 |
13 |
15 |
27 |
25 |
22 |
26 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
5 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
|
Метаморфопсия, или Печальный Диверсант |
7353 | 223 |
10 |
18 |
21 |
13 |
18 |
10 |
14 |
18 |
28 |
25 |
23 |
25 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
|
Разговор с Равилем Бикбаевым |
5018 | 222 |
8 |
23 |
21 |
14 |
13 |
11 |
12 |
22 |
26 |
25 |
25 |
22 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
4 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
|
Нам времени осталось мало |
7766 | 221 |
14 |
22 |
21 |
12 |
12 |
10 |
14 |
15 |
28 |
22 |
33 |
18 |
0 |
2 |
1 |
2 |
4 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
|
Ярость бунта, или метафизика Беркема |
16584 | 220 |
14 |
21 |
19 |
10 |
14 |
16 |
14 |
14 |
29 |
21 |
22 |
26 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
4 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
|
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
11174 | 218 |
14 |
25 |
16 |
12 |
13 |
13 |
8 |
19 |
27 |
26 |
22 |
23 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
|
Виталий Носков (к 60-летию друга) |
5268 | 216 |
11 |
17 |
22 |
15 |
16 |
8 |
11 |
16 |
27 |
28 |
25 |
20 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
|
Субъективные заметки о феврале и искусстве |
5410 | 213 |
10 |
17 |
22 |
14 |
20 |
10 |
14 |
17 |
24 |
22 |
21 |
22 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
|
Алексей Ивакин |
4353 | 208 |
11 |
16 |
20 |
17 |
23 |
11 |
11 |
15 |
23 |
21 |
18 |
22 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
|
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7973 | 208 |
9 |
15 |
19 |
11 |
12 |
14 |
9 |
18 |
24 |
25 |
28 |
24 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
|
"Данила" Александра Карцева |
7079 | 208 |
14 |
15 |
16 |
14 |
12 |
12 |
13 |
20 |
29 |
23 |
22 |
18 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
|
Нарастание пустоты (интервью журналу "Партия") |
5155 | 207 |
12 |
18 |
18 |
16 |
18 |
14 |
12 |
15 |
28 |
18 |
19 |
19 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
|
"Обыкновенная жизнь" Анатолия Гончара |
5660 | 204 |
13 |
13 |
20 |
17 |
16 |
11 |
13 |
15 |
23 |
25 |
21 |
17 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
|
О повести Алексея Козлачкова "Французский парашютист" |
2030 | 202 |
13 |
15 |
18 |
13 |
13 |
12 |
11 |
14 |
27 |
26 |
22 |
18 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
|
Тонкая нить Андрея Загорцева |
7662 | 200 |
8 |
16 |
18 |
14 |
10 |
13 |
14 |
15 |
23 |
21 |
21 |
27 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
|
Сага порванных душ |
10117 | 195 |
11 |
14 |
17 |
13 |
15 |
10 |
11 |
17 |
21 |
22 |
19 |
25 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |