| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
|
По разделу |
370121 | 1395 |
22 |
118 |
106 |
109 |
120 |
107 |
124 |
151 |
134 |
151 |
112 |
141 |
0 |
2 |
2 |
2 |
5 |
3 |
3 |
2 |
3 |
3 |
3 |
5 |
3 |
2 |
3 |
3 |
2 |
2 |
1 |
3 |
5 |
2 |
2 |
4 |
2 |
3 |
6 |
8 |
7 |
5 |
8 |
7 |
5 |
5 |
3 |
4 |
3 |
4 |
2 |
3 |
5 |
3 |
5 |
2 |
2 |
3 |
3 |
3 |
4 |
5 |
5 |
3 |
4 |
5 |
5 |
3 |
4 |
4 |
3 |
3 |
4 |
4 |
|
Уроки Александра Карцева |
8683 | 847 |
7 |
65 |
63 |
70 |
48 |
64 |
84 |
84 |
78 |
98 |
78 |
108 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
4 |
2 |
2 |
3 |
1 |
2 |
1 |
0 |
3 |
3 |
2 |
0 |
3 |
2 |
0 |
6 |
1 |
1 |
5 |
2 |
2 |
2 |
5 |
3 |
4 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
3 |
3 |
2 |
4 |
2 |
1 |
3 |
2 |
3 |
3 |
2 |
4 |
0 |
3 |
1 |
1 |
2 |
|
Окопные стихи |
5874 | 556 |
11 |
50 |
57 |
54 |
75 |
46 |
40 |
50 |
44 |
39 |
38 |
52 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
7 |
3 |
8 |
7 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
4 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
3 |
3 |
5 |
0 |
0 |
1 |
5 |
3 |
0 |
2 |
0 |
0 |
1 |
3 |
|
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
32522 | 545 |
9 |
40 |
53 |
44 |
55 |
42 |
59 |
57 |
49 |
47 |
44 |
46 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
4 |
0 |
0 |
4 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
2 |
3 |
0 |
3 |
0 |
2 |
0 |
4 |
4 |
1 |
3 |
4 |
3 |
|
Разговор с Андреем Загорцевым |
22270 | 398 |
5 |
39 |
32 |
26 |
24 |
43 |
43 |
34 |
31 |
46 |
45 |
30 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
4 |
0 |
0 |
2 |
1 |
2 |
3 |
2 |
2 |
2 |
1 |
3 |
0 |
0 |
4 |
1 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
|
Разговор с Александром Карцевым |
5533 | 368 |
3 |
24 |
16 |
20 |
29 |
32 |
39 |
69 |
40 |
31 |
37 |
28 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Теория прозы |
8912 | 362 |
6 |
24 |
25 |
38 |
22 |
23 |
45 |
55 |
42 |
30 |
22 |
30 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
|
Алексей Сквер "Забво" |
14669 | 327 |
3 |
24 |
24 |
17 |
32 |
30 |
36 |
30 |
32 |
26 |
27 |
46 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
5 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
|
Технология рассказа |
6166 | 292 |
4 |
43 |
36 |
17 |
12 |
20 |
27 |
32 |
33 |
18 |
25 |
25 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
2 |
2 |
1 |
1 |
3 |
0 |
8 |
3 |
0 |
3 |
1 |
3 |
1 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
|
История России в военных дневниках моего дедушки |
26761 | 291 |
9 |
16 |
31 |
21 |
15 |
24 |
27 |
32 |
40 |
25 |
23 |
28 |
0 |
0 |
0 |
0 |
5 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
5 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
|
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20574 | 286 |
1 |
17 |
14 |
27 |
18 |
14 |
46 |
31 |
30 |
30 |
32 |
26 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
|
Разговор с Алексеем Сквером |
4480 | 284 |
2 |
28 |
23 |
28 |
20 |
13 |
31 |
32 |
36 |
21 |
20 |
30 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
|
О вреде самообмана, или кто наследует землю |
11096 | 280 |
1 |
16 |
16 |
19 |
13 |
16 |
32 |
41 |
41 |
26 |
30 |
29 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
|
"Город" Андрея Загорцева |
7662 | 269 |
4 |
25 |
27 |
19 |
12 |
21 |
34 |
31 |
22 |
24 |
27 |
23 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
|
Анатолий Гончар (Еременко) |
711 | 255 |
6 |
18 |
24 |
16 |
16 |
21 |
27 |
32 |
23 |
21 |
24 |
27 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
|
Анатолий Гончар (6 января 1965 - 31 июля 2023) |
538 | 250 |
3 |
18 |
10 |
18 |
17 |
17 |
27 |
36 |
31 |
21 |
29 |
23 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Про Катю Наговицыну |
2442 | 248 |
5 |
16 |
15 |
13 |
9 |
15 |
31 |
25 |
21 |
58 |
18 |
22 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
|
Равиль Бикбаев |
1304 | 246 |
4 |
21 |
18 |
13 |
15 |
16 |
31 |
31 |
20 |
27 |
27 |
23 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
5 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
|
Оглянувшись в будущее |
9067 | 244 |
3 |
18 |
13 |
16 |
12 |
17 |
28 |
28 |
23 |
35 |
32 |
19 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Неистовый Глеб... |
4197 | 236 |
3 |
13 |
20 |
15 |
11 |
14 |
32 |
29 |
24 |
25 |
24 |
26 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
|
Казус Бабченко, или Ни одна обезьяна |
9754 | 236 |
5 |
16 |
15 |
14 |
12 |
17 |
32 |
28 |
27 |
28 |
23 |
19 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Разговор с Павлом Андреевым |
5933 | 234 |
3 |
19 |
17 |
17 |
12 |
14 |
29 |
21 |
21 |
27 |
27 |
27 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
|
Александр Карцев |
3160 | 231 |
2 |
12 |
9 |
22 |
15 |
23 |
29 |
24 |
20 |
27 |
27 |
21 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
"Мародер" Б. аль Атоми |
7926 | 228 |
5 |
13 |
18 |
14 |
13 |
20 |
25 |
28 |
25 |
22 |
20 |
25 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Ярость бунта, или метафизика Беркема |
16534 | 225 |
4 |
10 |
14 |
16 |
14 |
14 |
29 |
21 |
22 |
26 |
29 |
26 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Разговор с Равилем Бикбаевым |
4969 | 223 |
3 |
14 |
13 |
11 |
12 |
22 |
26 |
25 |
25 |
22 |
22 |
28 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
|
Метаморфопсия, или Печальный Диверсант |
7308 | 221 |
4 |
13 |
18 |
10 |
14 |
18 |
28 |
25 |
23 |
25 |
22 |
21 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
|
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
11122 | 221 |
3 |
12 |
13 |
13 |
8 |
19 |
27 |
26 |
22 |
23 |
28 |
27 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
|
Две повести о войне |
14090 | 220 |
5 |
17 |
14 |
14 |
13 |
15 |
27 |
25 |
22 |
26 |
19 |
23 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
|
Виталий Носков (к 60-летию друга) |
5223 | 219 |
5 |
15 |
16 |
8 |
11 |
16 |
27 |
28 |
25 |
20 |
25 |
23 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7933 | 213 |
3 |
11 |
12 |
14 |
9 |
18 |
24 |
25 |
28 |
24 |
23 |
22 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
|
Нам времени осталось мало |
7712 | 210 |
3 |
12 |
12 |
10 |
14 |
15 |
28 |
22 |
33 |
18 |
18 |
25 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Алексей Ивакин |
4309 | 209 |
3 |
17 |
23 |
11 |
11 |
15 |
23 |
21 |
18 |
22 |
23 |
22 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
|
"Данила" Александра Карцева |
7037 | 208 |
3 |
14 |
12 |
12 |
13 |
20 |
29 |
23 |
22 |
18 |
22 |
20 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Субъективные заметки о феврале и искусстве |
5363 | 207 |
2 |
14 |
20 |
10 |
14 |
17 |
24 |
22 |
21 |
22 |
19 |
22 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
|
О повести Алексея Козлачкова "Французский парашютист" |
1989 | 205 |
5 |
13 |
13 |
12 |
11 |
14 |
27 |
26 |
22 |
18 |
24 |
20 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Нарастание пустоты (интервью журналу "Партия") |
5109 | 205 |
2 |
16 |
18 |
14 |
12 |
15 |
28 |
18 |
19 |
19 |
23 |
21 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
|
"Обыкновенная жизнь" Анатолия Гончара |
5619 | 204 |
5 |
17 |
16 |
11 |
13 |
15 |
23 |
25 |
21 |
17 |
19 |
22 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
|
Дороги памяти... |
5123 | 201 |
3 |
18 |
15 |
8 |
10 |
12 |
23 |
21 |
20 |
25 |
17 |
29 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
|
Тонкая нить Андрея Загорцева |
7623 | 201 |
3 |
14 |
10 |
13 |
14 |
15 |
23 |
21 |
21 |
27 |
19 |
21 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |