| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
По разделу |
344522 | 2350 |
123 |
207 |
154 |
207 |
198 |
192 |
223 |
206 |
218 |
208 |
202 |
212 |
0 |
8 |
6 |
6 |
7 |
6 |
10 |
6 |
7 |
8 |
5 |
8 |
5 |
10 |
8 |
5 |
7 |
5 |
6 |
6 |
5 |
6 |
7 |
6 |
6 |
8 |
8 |
6 |
6 |
8 |
5 |
8 |
7 |
8 |
7 |
7 |
8 |
7 |
7 |
6 |
8 |
6 |
7 |
6 |
6 |
7 |
6 |
7 |
6 |
6 |
6 |
5 |
6 |
5 |
7 |
7 |
9 |
7 |
9 |
7 |
6 |
5 |
Разговор с Андреем Загорцевым |
21159 | 2340 |
123 |
205 |
147 |
207 |
198 |
191 |
223 |
206 |
218 |
208 |
202 |
212 |
0 |
8 |
6 |
6 |
7 |
6 |
10 |
6 |
7 |
8 |
5 |
8 |
5 |
10 |
8 |
5 |
7 |
5 |
6 |
6 |
5 |
6 |
7 |
6 |
6 |
6 |
8 |
6 |
6 |
8 |
5 |
8 |
7 |
8 |
7 |
7 |
8 |
7 |
7 |
6 |
8 |
6 |
7 |
6 |
6 |
7 |
6 |
7 |
6 |
6 |
6 |
5 |
6 |
5 |
7 |
7 |
9 |
7 |
9 |
7 |
6 |
5 |
Окопные стихи |
4537 | 450 |
33 |
34 |
32 |
25 |
37 |
39 |
43 |
49 |
38 |
31 |
46 |
43 |
0 |
4 |
0 |
1 |
3 |
3 |
3 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
4 |
2 |
1 |
2 |
1 |
0 |
1 |
5 |
5 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
История России в военных дневниках моего дедушки |
26050 | 356 |
17 |
25 |
30 |
34 |
37 |
43 |
29 |
18 |
14 |
24 |
41 |
44 |
0 |
1 |
3 |
0 |
1 |
0 |
3 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
0 |
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
31368 | 353 |
24 |
35 |
38 |
25 |
27 |
44 |
32 |
29 |
24 |
23 |
19 |
33 |
0 |
2 |
5 |
2 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
4 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
5 |
0 |
2 |
2 |
0 |
5 |
0 |
1 |
1 |
0 |
2 |
0 |
5 |
0 |
0 |
Разговор с Павлом Андреевым |
5350 | 241 |
13 |
11 |
16 |
21 |
20 |
34 |
22 |
28 |
22 |
17 |
24 |
13 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
19970 | 214 |
10 |
16 |
17 |
19 |
14 |
34 |
20 |
16 |
12 |
18 |
13 |
25 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
О вреде самообмана, или кто наследует землю |
10518 | 212 |
11 |
18 |
17 |
14 |
15 |
25 |
19 |
15 |
17 |
19 |
24 |
18 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
Ярость бунта, или метафизика Беркема |
16035 | 209 |
14 |
15 |
14 |
13 |
15 |
35 |
22 |
16 |
12 |
19 |
16 |
18 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
5 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
Равиль Бикбаев |
761 | 209 |
8 |
14 |
15 |
10 |
18 |
30 |
14 |
17 |
23 |
23 |
14 |
23 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
Алексей Сквер "Забво" |
14005 | 203 |
12 |
16 |
17 |
13 |
15 |
31 |
18 |
20 |
12 |
19 |
14 |
16 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
Теория прозы |
8251 | 202 |
11 |
18 |
9 |
19 |
10 |
24 |
28 |
15 |
16 |
18 |
17 |
17 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
Оглянувшись в будущее |
8523 | 201 |
13 |
11 |
27 |
15 |
9 |
28 |
16 |
15 |
15 |
16 |
13 |
23 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
Метаморфопсия, или Печальный Диверсант |
6838 | 196 |
12 |
32 |
12 |
10 |
10 |
28 |
16 |
17 |
11 |
18 |
11 |
19 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
6 |
8 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
Разговор с Александром Карцевым |
4850 | 195 |
12 |
21 |
20 |
13 |
13 |
22 |
17 |
18 |
11 |
18 |
15 |
15 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
5 |
0 |
1 |
1 |
2 |
0 |
0 |
Уроки Александра Карцева |
7409 | 186 |
10 |
13 |
17 |
12 |
14 |
28 |
15 |
17 |
11 |
16 |
12 |
21 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
0 |
Нам времени осталось мало |
7245 | 184 |
10 |
19 |
13 |
9 |
12 |
26 |
16 |
20 |
14 |
16 |
13 |
16 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
6 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
Казус Бабченко, или Ни одна обезьяна |
9265 | 184 |
9 |
15 |
15 |
10 |
9 |
30 |
16 |
16 |
15 |
18 |
14 |
17 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
10625 | 179 |
10 |
13 |
16 |
16 |
9 |
28 |
14 |
14 |
11 |
17 |
13 |
18 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
Алексей Ивакин |
3845 | 178 |
9 |
13 |
10 |
9 |
8 |
24 |
12 |
19 |
10 |
16 |
16 |
32 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
Технология рассказа |
5603 | 178 |
6 |
13 |
11 |
10 |
12 |
24 |
18 |
24 |
12 |
15 |
14 |
19 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
"Город" Андрея Загорцева |
7108 | 178 |
10 |
13 |
12 |
11 |
10 |
26 |
18 |
17 |
16 |
20 |
11 |
14 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
Разговор с Равилем Бикбаевым |
4439 | 177 |
15 |
12 |
14 |
10 |
14 |
21 |
16 |
17 |
10 |
16 |
13 |
19 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
5 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
"Обыкновенная жизнь" Анатолия Гончара |
5178 | 173 |
8 |
14 |
18 |
10 |
9 |
25 |
14 |
15 |
12 |
22 |
13 |
13 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7480 | 169 |
10 |
11 |
17 |
9 |
10 |
22 |
14 |
17 |
11 |
17 |
14 |
17 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
Виталий Носков (к 60-летию друга) |
4769 | 168 |
8 |
10 |
19 |
7 |
9 |
28 |
16 |
16 |
12 |
15 |
15 |
13 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
6 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
Две повести о войне |
13645 | 168 |
10 |
16 |
14 |
10 |
11 |
28 |
13 |
17 |
7 |
17 |
12 |
13 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
Неистовый Глеб... |
3709 | 165 |
8 |
10 |
12 |
7 |
8 |
27 |
18 |
18 |
13 |
16 |
17 |
11 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
Александр Карцев |
2657 | 165 |
10 |
13 |
13 |
13 |
11 |
20 |
17 |
19 |
10 |
14 |
13 |
12 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
Разговор с Анатолием Гончаром |
3410 | 163 |
10 |
12 |
19 |
9 |
11 |
21 |
15 |
17 |
11 |
12 |
15 |
11 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
2 |
0 |
1 |
Нарастание пустоты (интервью журналу "Партия") |
4622 | 163 |
9 |
11 |
12 |
9 |
14 |
23 |
14 |
15 |
13 |
15 |
13 |
15 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
"Мародер" Б. аль Атоми |
7447 | 158 |
7 |
11 |
11 |
10 |
11 |
22 |
15 |
18 |
11 |
14 |
13 |
15 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
"Данила" Александра Карцева |
6601 | 158 |
8 |
10 |
13 |
9 |
8 |
26 |
13 |
20 |
12 |
14 |
14 |
11 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
Разговор с Алексеем Сквером |
3947 | 158 |
10 |
12 |
11 |
7 |
11 |
26 |
12 |
15 |
11 |
18 |
12 |
13 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
"Шелковый путь" Александра Карцева |
4891 | 156 |
15 |
8 |
14 |
10 |
8 |
23 |
15 |
16 |
8 |
15 |
11 |
13 |
0 |
1 |
0 |
0 |
1 |
0 |
5 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
О повести Алексея Козлачкова "Французский парашютист" |
1555 | 154 |
7 |
11 |
12 |
8 |
13 |
23 |
15 |
17 |
10 |
13 |
11 |
14 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
Дороги памяти... |
4701 | 154 |
9 |
9 |
15 |
8 |
9 |
24 |
14 |
16 |
10 |
13 |
12 |
15 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
Тонкая нить Андрея Загорцева |
7187 | 154 |
9 |
17 |
13 |
7 |
8 |
22 |
16 |
16 |
10 |
15 |
11 |
10 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
Сага порванных душ |
9670 | 144 |
9 |
8 |
16 |
7 |
7 |
22 |
14 |
14 |
9 |
12 |
11 |
15 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
Субъективные заметки о феврале и искусстве |
4930 | 141 |
8 |
10 |
13 |
9 |
9 |
20 |
13 |
17 |
6 |
12 |
14 |
10 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |