| Итого | За последние 12 месяцев | Jan | Dec |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
По разделу |
351791 | 1533 |
161 |
79 |
67 |
80 |
81 |
173 |
110 |
77 |
137 |
207 |
207 |
154 |
1 |
5 |
2 |
5 |
4 |
5 |
5 |
3 |
6 |
10 |
12 |
3 |
7 |
4 |
5 |
6 |
6 |
4 |
5 |
3 |
9 |
6 |
6 |
6 |
9 |
11 |
3 |
1 |
3 |
4 |
2 |
3 |
2 |
3 |
2 |
2 |
2 |
1 |
2 |
3 |
3 |
3 |
4 |
2 |
3 |
2 |
1 |
2 |
2 |
3 |
3 |
5 |
3 |
2 |
2 |
2 |
3 |
4 |
2 |
2 |
3 |
3 |
Разговор с Андреем Загорцевым |
21674 | 990 |
58 |
39 |
22 |
47 |
32 |
39 |
38 |
45 |
111 |
207 |
205 |
147 |
0 |
5 |
0 |
5 |
3 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
6 |
2 |
2 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
8 |
0 |
0 |
2 |
4 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
5 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
Окопные стихи |
4939 | 501 |
51 |
32 |
32 |
43 |
35 |
42 |
48 |
35 |
62 |
55 |
34 |
32 |
0 |
0 |
1 |
4 |
3 |
3 |
1 |
1 |
0 |
4 |
5 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
4 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
4 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
31703 | 432 |
43 |
33 |
27 |
38 |
34 |
51 |
36 |
27 |
32 |
38 |
35 |
38 |
1 |
3 |
1 |
3 |
0 |
5 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
История России в военных дневниках моего дедушки |
26296 | 318 |
38 |
24 |
24 |
29 |
31 |
27 |
19 |
25 |
24 |
22 |
25 |
30 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
4 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
Анатолий Гончар (Еременко) |
302 | 302 |
40 |
15 |
14 |
27 |
22 |
162 |
22 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
3 |
4 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
Разговор с Павлом Андреевым |
5557 | 247 |
29 |
45 |
10 |
13 |
15 |
23 |
19 |
24 |
20 |
22 |
11 |
16 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
5 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
3 |
4 |
1 |
2 |
1 |
3 |
Алексей Сквер "Забво" |
14176 | 216 |
26 |
14 |
10 |
18 |
19 |
22 |
17 |
14 |
23 |
20 |
16 |
17 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
Оглянувшись в будущее |
8682 | 210 |
26 |
12 |
8 |
17 |
19 |
21 |
17 |
17 |
17 |
18 |
11 |
27 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20137 | 210 |
27 |
16 |
10 |
13 |
15 |
20 |
21 |
21 |
15 |
19 |
16 |
17 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
Теория прозы |
8422 | 209 |
25 |
14 |
10 |
15 |
18 |
15 |
26 |
21 |
17 |
21 |
18 |
9 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
О вреде самообмана, или кто наследует землю |
10680 | 208 |
27 |
16 |
11 |
18 |
17 |
22 |
13 |
12 |
16 |
21 |
18 |
17 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
Разговор с Анатолием Гончаром |
3573 | 204 |
29 |
13 |
20 |
15 |
16 |
20 |
19 |
14 |
12 |
15 |
12 |
19 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
2 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
Разговор с Александром Карцевым |
4997 | 200 |
26 |
13 |
11 |
15 |
15 |
14 |
11 |
15 |
20 |
19 |
21 |
20 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
Равиль Бикбаев |
920 | 196 |
28 |
12 |
10 |
15 |
20 |
20 |
15 |
18 |
14 |
15 |
14 |
15 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
Разговор с Равилем Бикбаевым |
4593 | 195 |
38 |
12 |
8 |
13 |
13 |
19 |
14 |
13 |
16 |
23 |
12 |
14 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
3 |
10 |
4 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
Метаморфопсия, или Печальный Диверсант |
6976 | 194 |
25 |
13 |
7 |
16 |
16 |
16 |
13 |
9 |
15 |
20 |
32 |
12 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
"Город" Андрея Загорцева |
7264 | 191 |
27 |
14 |
7 |
14 |
16 |
27 |
16 |
14 |
16 |
15 |
13 |
12 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
Ярость бунта, или метафизика Беркема |
16182 | 190 |
25 |
14 |
7 |
12 |
16 |
19 |
19 |
16 |
14 |
19 |
15 |
14 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
4 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
10772 | 186 |
27 |
19 |
8 |
13 |
15 |
20 |
13 |
12 |
16 |
14 |
13 |
16 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
4 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Jan | Dec |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
Уроки Александра Карцева |
7553 | 184 |
31 |
15 |
8 |
16 |
12 |
19 |
10 |
13 |
16 |
14 |
13 |
17 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Александр Карцев |
2801 | 180 |
31 |
16 |
8 |
12 |
15 |
23 |
14 |
8 |
12 |
15 |
13 |
13 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
Нарастание пустоты (интервью журналу "Партия") |
4770 | 180 |
33 |
23 |
9 |
15 |
9 |
15 |
14 |
14 |
12 |
13 |
11 |
12 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
5 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
Нам времени осталось мало |
7381 | 178 |
26 |
14 |
11 |
10 |
14 |
13 |
10 |
10 |
19 |
19 |
19 |
13 |
0 |
1 |
0 |
2 |
4 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
Тонкая нить Андрея Загорцева |
7322 | 174 |
35 |
11 |
5 |
21 |
10 |
16 |
8 |
9 |
17 |
12 |
17 |
13 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
4 |
3 |
7 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
Алексей Ивакин |
3982 | 169 |
34 |
13 |
6 |
15 |
13 |
15 |
12 |
14 |
10 |
14 |
13 |
10 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
3 |
2 |
4 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
"Обыкновенная жизнь" Анатолия Гончара |
5303 | 165 |
25 |
14 |
6 |
12 |
11 |
17 |
13 |
10 |
11 |
14 |
14 |
18 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
4 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Технология рассказа |
5736 | 163 |
32 |
12 |
8 |
13 |
15 |
13 |
11 |
11 |
12 |
12 |
13 |
11 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Казус Бабченко, или Ни одна обезьяна |
9389 | 163 |
27 |
13 |
7 |
12 |
15 |
14 |
7 |
13 |
12 |
13 |
15 |
15 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
Неистовый Глеб... |
3840 | 161 |
26 |
12 |
10 |
10 |
11 |
17 |
14 |
12 |
13 |
14 |
10 |
12 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7603 | 161 |
22 |
15 |
6 |
12 |
11 |
15 |
10 |
10 |
17 |
15 |
11 |
17 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
Две повести о войне |
13764 | 159 |
26 |
8 |
8 |
10 |
14 |
11 |
10 |
14 |
11 |
17 |
16 |
14 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
О повести Алексея Козлачкова "Французский парашютист" |
1681 | 156 |
23 |
15 |
9 |
11 |
15 |
14 |
10 |
12 |
11 |
13 |
11 |
12 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
"Мародер" Б. аль Атоми |
7574 | 156 |
28 |
12 |
5 |
12 |
14 |
10 |
11 |
14 |
15 |
13 |
11 |
11 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
Разговор с Алексеем Сквером |
4070 | 156 |
25 |
13 |
7 |
12 |
13 |
13 |
9 |
11 |
14 |
16 |
12 |
11 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
Виталий Носков (к 60-летию друга) |
4887 | 155 |
24 |
12 |
7 |
13 |
12 |
10 |
12 |
11 |
10 |
15 |
10 |
19 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
3 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
Дороги памяти... |
4823 | 155 |
26 |
10 |
6 |
11 |
13 |
12 |
13 |
11 |
11 |
18 |
9 |
15 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
"Данила" Александра Карцева |
6722 | 152 |
20 |
10 |
8 |
11 |
12 |
12 |
14 |
16 |
13 |
13 |
10 |
13 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
Субъективные заметки о феврале и искусстве |
5048 | 149 |
24 |
11 |
8 |
8 |
10 |
13 |
9 |
13 |
17 |
13 |
10 |
13 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Сага порванных душ |
9779 | 142 |
24 |
9 |
6 |
12 |
10 |
10 |
10 |
11 |
10 |
16 |
8 |
16 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |