| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 |
По разделу |
346831 | 2099 |
73 |
77 |
137 |
207 |
207 |
154 |
207 |
198 |
192 |
223 |
206 |
218 |
0 |
3 |
2 |
2 |
5 |
3 |
2 |
2 |
2 |
3 |
3 |
3 |
4 |
3 |
4 |
2 |
2 |
1 |
2 |
2 |
3 |
7 |
2 |
3 |
3 |
2 |
3 |
5 |
1 |
1 |
2 |
1 |
2 |
6 |
1 |
3 |
6 |
2 |
2 |
2 |
2 |
3 |
5 |
4 |
1 |
2 |
2 |
3 |
3 |
3 |
4 |
2 |
1 |
1 |
2 |
1 |
4 |
3 |
3 |
2 |
1 |
3 |
Разговор с Андреем Загорцевым |
21430 | 1989 |
31 |
45 |
111 |
207 |
205 |
147 |
207 |
198 |
191 |
223 |
206 |
218 |
0 |
3 |
2 |
2 |
5 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
6 |
1 |
1 |
1 |
1 |
2 |
5 |
4 |
0 |
0 |
1 |
3 |
3 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
Окопные стихи |
4696 | 489 |
40 |
35 |
62 |
55 |
34 |
32 |
25 |
37 |
39 |
43 |
49 |
38 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
2 |
2 |
0 |
0 |
1 |
4 |
0 |
4 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
3 |
3 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
31466 | 376 |
25 |
27 |
32 |
38 |
35 |
38 |
25 |
27 |
44 |
32 |
29 |
24 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
История России в военных дневниках моего дедушки |
26122 | 319 |
18 |
25 |
24 |
22 |
25 |
30 |
34 |
37 |
43 |
29 |
18 |
14 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
Разговор с Павлом Андреевым |
5418 | 255 |
15 |
24 |
20 |
22 |
11 |
16 |
21 |
20 |
34 |
22 |
28 |
22 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
5 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20033 | 221 |
18 |
21 |
15 |
19 |
16 |
17 |
19 |
14 |
34 |
20 |
16 |
12 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
Теория прозы |
8319 | 218 |
20 |
21 |
17 |
21 |
18 |
9 |
19 |
10 |
24 |
28 |
15 |
16 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
7 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
6 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
Алексей Сквер "Забво" |
14064 | 213 |
14 |
14 |
23 |
20 |
16 |
17 |
13 |
15 |
31 |
18 |
20 |
12 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Ярость бунта, или метафизика Беркема |
16087 | 208 |
17 |
16 |
14 |
19 |
15 |
14 |
13 |
15 |
35 |
22 |
16 |
12 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
О вреде самообмана, или кто наследует землю |
10568 | 201 |
12 |
12 |
16 |
21 |
18 |
17 |
14 |
15 |
25 |
19 |
15 |
17 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Равиль Бикбаев |
813 | 201 |
13 |
18 |
14 |
15 |
14 |
15 |
10 |
18 |
30 |
14 |
17 |
23 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Оглянувшись в будущее |
8574 | 200 |
12 |
17 |
17 |
18 |
11 |
27 |
15 |
9 |
28 |
16 |
15 |
15 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Разговор с Александром Карцевым |
4900 | 197 |
8 |
15 |
20 |
19 |
21 |
20 |
13 |
13 |
22 |
17 |
18 |
11 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
Метаморфопсия, или Печальный Диверсант |
6881 | 191 |
11 |
9 |
15 |
20 |
32 |
12 |
10 |
10 |
28 |
16 |
17 |
11 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Нам времени осталось мало |
7293 | 187 |
10 |
10 |
19 |
19 |
19 |
13 |
9 |
12 |
26 |
16 |
20 |
14 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
"Город" Андрея Загорцева |
7158 | 183 |
15 |
14 |
16 |
15 |
13 |
12 |
11 |
10 |
26 |
18 |
17 |
16 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Уроки Александра Карцева |
7451 | 179 |
9 |
13 |
16 |
14 |
13 |
17 |
12 |
14 |
28 |
15 |
17 |
11 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Разговор с Равилем Бикбаевым |
4489 | 179 |
13 |
13 |
16 |
23 |
12 |
14 |
10 |
14 |
21 |
16 |
17 |
10 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
10668 | 174 |
11 |
12 |
16 |
14 |
13 |
16 |
16 |
9 |
28 |
14 |
14 |
11 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 |
Технология рассказа |
5642 | 169 |
10 |
11 |
12 |
12 |
13 |
11 |
10 |
12 |
24 |
18 |
24 |
12 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Разговор с Анатолием Гончаром |
3454 | 169 |
13 |
14 |
12 |
15 |
12 |
19 |
9 |
11 |
21 |
15 |
17 |
11 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
Казус Бабченко, или Ни одна обезьяна |
9299 | 169 |
5 |
13 |
12 |
13 |
15 |
15 |
10 |
9 |
30 |
16 |
16 |
15 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
Две повести о войне |
13685 | 166 |
8 |
14 |
11 |
17 |
16 |
14 |
10 |
11 |
28 |
13 |
17 |
7 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
Неистовый Глеб... |
3753 | 165 |
13 |
12 |
13 |
14 |
10 |
12 |
7 |
8 |
27 |
18 |
18 |
13 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
"Данила" Александра Карцева |
6647 | 165 |
12 |
16 |
13 |
13 |
10 |
13 |
9 |
8 |
26 |
13 |
20 |
12 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Виталий Носков (к 60-летию друга) |
4807 | 163 |
10 |
11 |
10 |
15 |
10 |
19 |
7 |
9 |
28 |
16 |
16 |
12 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
"Обыкновенная жизнь" Анатолия Гончара |
5216 | 163 |
11 |
10 |
11 |
14 |
14 |
18 |
10 |
9 |
25 |
14 |
15 |
12 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Александр Карцев |
2692 | 161 |
10 |
8 |
12 |
15 |
13 |
13 |
13 |
11 |
20 |
17 |
19 |
10 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Нарастание пустоты (интервью журналу "Партия") |
4663 | 161 |
11 |
14 |
12 |
13 |
11 |
12 |
9 |
14 |
23 |
14 |
15 |
13 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7519 | 160 |
7 |
10 |
17 |
15 |
11 |
17 |
9 |
10 |
22 |
14 |
17 |
11 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
"Мародер" Б. аль Атоми |
7490 | 159 |
8 |
14 |
15 |
13 |
11 |
11 |
10 |
11 |
22 |
15 |
18 |
11 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Дороги памяти... |
4742 | 155 |
10 |
11 |
11 |
18 |
9 |
15 |
8 |
9 |
24 |
14 |
16 |
10 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
О повести Алексея Козлачкова "Французский парашютист" |
1593 | 154 |
9 |
12 |
11 |
13 |
11 |
12 |
8 |
13 |
23 |
15 |
17 |
10 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
Разговор с Алексеем Сквером |
3986 | 154 |
8 |
11 |
14 |
16 |
12 |
11 |
7 |
11 |
26 |
12 |
15 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
Алексей Ивакин |
3884 | 153 |
10 |
14 |
10 |
14 |
13 |
10 |
9 |
8 |
24 |
12 |
19 |
10 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Тонкая нить Андрея Загорцева |
7222 | 153 |
6 |
9 |
17 |
12 |
17 |
13 |
7 |
8 |
22 |
16 |
16 |
10 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
"Шелковый путь" Александра Карцева |
4926 | 152 |
7 |
11 |
11 |
21 |
8 |
14 |
10 |
8 |
23 |
15 |
16 |
8 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Субъективные заметки о феврале и искусстве |
4972 | 147 |
7 |
13 |
17 |
13 |
10 |
13 |
9 |
9 |
20 |
13 |
17 |
6 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
1 |
Сага порванных душ |
9706 | 142 |
8 |
11 |
10 |
16 |
8 |
16 |
7 |
7 |
22 |
14 |
14 |
9 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |