| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 |
|
По разделу |
367287 | 1548 |
108 |
107 |
124 |
151 |
134 |
151 |
112 |
141 |
125 |
109 |
150 |
136 |
5 |
3 |
4 |
6 |
4 |
9 |
5 |
4 |
10 |
5 |
4 |
4 |
2 |
3 |
3 |
2 |
3 |
3 |
6 |
4 |
4 |
3 |
3 |
2 |
5 |
2 |
4 |
4 |
4 |
4 |
4 |
2 |
2 |
4 |
5 |
3 |
5 |
4 |
3 |
3 |
4 |
3 |
2 |
4 |
7 |
2 |
3 |
3 |
2 |
2 |
3 |
2 |
3 |
5 |
4 |
3 |
4 |
5 |
6 |
3 |
4 |
3 |
|
Уроки Александра Карцева |
8474 | 900 |
44 |
64 |
84 |
84 |
78 |
98 |
78 |
108 |
109 |
41 |
84 |
28 |
2 |
3 |
1 |
2 |
0 |
0 |
5 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
1 |
4 |
3 |
0 |
1 |
3 |
1 |
2 |
4 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
2 |
3 |
2 |
1 |
1 |
2 |
7 |
1 |
2 |
3 |
2 |
0 |
3 |
1 |
3 |
2 |
4 |
2 |
3 |
1 |
6 |
1 |
2 |
1 |
|
Окопные стихи |
5691 | 664 |
64 |
46 |
40 |
50 |
44 |
39 |
38 |
52 |
39 |
56 |
101 |
95 |
5 |
1 |
4 |
6 |
3 |
9 |
5 |
1 |
0 |
5 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
6 |
2 |
1 |
1 |
1 |
2 |
3 |
0 |
3 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
5 |
0 |
3 |
3 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
5 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
2 |
|
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
32370 | 619 |
49 |
42 |
59 |
57 |
49 |
47 |
44 |
46 |
43 |
52 |
68 |
63 |
0 |
2 |
1 |
4 |
1 |
1 |
4 |
3 |
3 |
3 |
4 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
1 |
4 |
0 |
1 |
3 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
3 |
3 |
3 |
1 |
4 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
2 |
0 |
4 |
1 |
|
Разговор с Андреем Загорцевым |
22167 | 450 |
23 |
43 |
43 |
34 |
31 |
46 |
45 |
30 |
27 |
30 |
52 |
46 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
2 |
3 |
4 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
|
Разговор с Александром Карцевым |
5468 | 438 |
27 |
32 |
39 |
69 |
40 |
31 |
37 |
28 |
29 |
25 |
48 |
33 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
5 |
1 |
2 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
3 |
|
Алексей Сквер "Забво" |
14599 | 389 |
30 |
30 |
36 |
30 |
32 |
26 |
27 |
46 |
29 |
28 |
44 |
31 |
1 |
0 |
0 |
0 |
0 |
5 |
1 |
1 |
10 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
1 |
|
Теория прозы |
8815 | 363 |
18 |
23 |
45 |
55 |
42 |
30 |
22 |
30 |
13 |
23 |
33 |
29 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
|
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20511 | 357 |
14 |
14 |
46 |
31 |
30 |
30 |
32 |
26 |
29 |
29 |
45 |
31 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
5 |
2 |
0 |
2 |
1 |
|
История России в военных дневниках моего дедушки |
26682 | 349 |
13 |
24 |
27 |
32 |
40 |
25 |
23 |
28 |
28 |
31 |
48 |
30 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
|
О вреде самообмана, или кто наследует землю |
11042 | 338 |
11 |
16 |
32 |
41 |
41 |
26 |
30 |
29 |
23 |
24 |
38 |
27 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
|
Анатолий Гончар (6 января 1965 - 31 июля 2023) |
488 | 322 |
16 |
17 |
27 |
36 |
31 |
21 |
29 |
23 |
22 |
26 |
35 |
39 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
5 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
|
Анатолий Гончар (Еременко) |
646 | 317 |
15 |
21 |
27 |
32 |
23 |
21 |
24 |
27 |
25 |
26 |
49 |
27 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
|
Оглянувшись в будущее |
9012 | 307 |
7 |
17 |
28 |
28 |
23 |
35 |
32 |
19 |
21 |
27 |
46 |
24 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
|
Технология рассказа |
6065 | 306 |
11 |
20 |
27 |
32 |
33 |
18 |
25 |
25 |
20 |
22 |
49 |
24 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
|
Разговор с Равилем Бикбаевым |
4926 | 305 |
10 |
22 |
26 |
25 |
25 |
22 |
22 |
28 |
26 |
22 |
41 |
36 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
|
Равиль Бикбаев |
1247 | 305 |
14 |
16 |
31 |
31 |
20 |
27 |
27 |
23 |
27 |
24 |
37 |
28 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
|
Разговор с Алексеем Сквером |
4398 | 305 |
19 |
13 |
31 |
32 |
36 |
21 |
20 |
30 |
18 |
23 |
43 |
19 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
|
"Город" Андрея Загорцева |
7586 | 302 |
11 |
21 |
34 |
31 |
22 |
24 |
27 |
23 |
23 |
20 |
40 |
26 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
|
Разговор с Павлом Андреевым |
5876 | 293 |
11 |
14 |
29 |
21 |
21 |
27 |
27 |
27 |
21 |
26 |
48 |
21 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 |
|
Казус Бабченко, или Ни одна обезьяна |
9703 | 291 |
11 |
17 |
32 |
28 |
27 |
28 |
23 |
19 |
16 |
28 |
40 |
22 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
|
Александр Карцев |
3112 | 289 |
12 |
23 |
29 |
24 |
20 |
27 |
27 |
21 |
20 |
28 |
37 |
21 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
|
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
11080 | 288 |
7 |
19 |
27 |
26 |
22 |
23 |
28 |
27 |
19 |
30 |
43 |
17 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
|
Ярость бунта, или метафизика Беркема |
16488 | 288 |
12 |
14 |
29 |
21 |
22 |
26 |
29 |
26 |
20 |
26 |
38 |
25 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
|
Неистовый Глеб... |
4144 | 281 |
9 |
14 |
32 |
29 |
24 |
25 |
24 |
26 |
19 |
21 |
39 |
19 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
|
Про Катю Наговицыну |
2392 | 281 |
8 |
15 |
31 |
25 |
21 |
58 |
18 |
22 |
16 |
17 |
31 |
19 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
4 |
2 |
|
"Мародер" Б. аль Атоми |
7875 | 279 |
12 |
20 |
25 |
28 |
25 |
22 |
20 |
25 |
20 |
23 |
39 |
20 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
|
Нам времени осталось мало |
7672 | 272 |
11 |
15 |
28 |
22 |
33 |
18 |
18 |
25 |
25 |
19 |
41 |
17 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
|
Виталий Носков (к 60-летию друга) |
5177 | 269 |
9 |
16 |
27 |
28 |
25 |
20 |
25 |
23 |
24 |
18 |
36 |
18 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
|
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7892 | 268 |
8 |
18 |
24 |
25 |
28 |
24 |
23 |
22 |
23 |
24 |
33 |
16 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
|
Нарастание пустоты (интервью журналу "Партия") |
5058 | 265 |
11 |
15 |
28 |
18 |
19 |
19 |
23 |
21 |
22 |
20 |
36 |
33 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
|
Метаморфопсия, или Печальный Диверсант |
7261 | 264 |
12 |
18 |
28 |
25 |
23 |
25 |
22 |
21 |
20 |
19 |
33 |
18 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
|
Две повести о войне |
14040 | 255 |
13 |
15 |
27 |
25 |
22 |
26 |
19 |
23 |
19 |
15 |
34 |
17 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
|
Разговор с Анатолием Гончаром |
3846 | 254 |
9 |
9 |
24 |
22 |
20 |
19 |
23 |
33 |
18 |
18 |
40 |
19 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
|
"Данила" Александра Карцева |
6994 | 253 |
11 |
20 |
29 |
23 |
22 |
18 |
22 |
20 |
18 |
19 |
32 |
19 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
4 |
1 |
|
Алексей Ивакин |
4252 | 250 |
8 |
15 |
23 |
21 |
18 |
22 |
23 |
22 |
18 |
20 |
36 |
24 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
|
Субъективные заметки о феврале и искусстве |
5314 | 249 |
11 |
17 |
24 |
22 |
21 |
22 |
19 |
22 |
24 |
14 |
31 |
22 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
|
"Обыкновенная жизнь" Анатолия Гончара |
5569 | 247 |
12 |
15 |
23 |
25 |
21 |
17 |
19 |
22 |
21 |
18 |
36 |
18 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Поэзия жизни и судьбы |
1833 | 246 |
10 |
14 |
22 |
26 |
21 |
18 |
26 |
29 |
13 |
15 |
32 |
20 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
|
О повести Алексея Козлачкова "Французский парашютист" |
1945 | 245 |
10 |
14 |
27 |
26 |
22 |
18 |
24 |
20 |
15 |
21 |
30 |
18 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |