| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 |
|
По разделу |
368937 | 1476 |
93 |
109 |
120 |
107 |
124 |
151 |
134 |
151 |
112 |
141 |
125 |
109 |
0 |
2 |
2 |
3 |
3 |
3 |
4 |
5 |
5 |
3 |
4 |
5 |
5 |
3 |
4 |
4 |
3 |
3 |
4 |
4 |
3 |
2 |
2 |
5 |
1 |
4 |
6 |
1 |
3 |
3 |
6 |
6 |
3 |
4 |
2 |
4 |
3 |
3 |
4 |
3 |
3 |
4 |
2 |
3 |
2 |
2 |
2 |
5 |
3 |
4 |
3 |
4 |
5 |
5 |
5 |
3 |
3 |
3 |
4 |
3 |
9 |
5 |
|
Уроки Александра Карцева |
8606 | 920 |
58 |
70 |
48 |
64 |
84 |
84 |
78 |
98 |
78 |
108 |
109 |
41 |
0 |
1 |
2 |
3 |
3 |
2 |
4 |
2 |
1 |
3 |
2 |
3 |
3 |
2 |
4 |
0 |
3 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
4 |
5 |
1 |
2 |
1 |
2 |
5 |
3 |
4 |
2 |
4 |
2 |
3 |
4 |
3 |
1 |
3 |
1 |
2 |
0 |
2 |
1 |
5 |
3 |
1 |
1 |
1 |
4 |
3 |
2 |
0 |
3 |
1 |
1 |
1 |
3 |
2 |
|
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
32469 | 587 |
49 |
44 |
55 |
42 |
59 |
57 |
49 |
47 |
44 |
46 |
43 |
52 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
2 |
3 |
0 |
3 |
0 |
2 |
0 |
4 |
4 |
1 |
3 |
4 |
3 |
1 |
2 |
1 |
3 |
0 |
1 |
4 |
1 |
3 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
2 |
4 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
2 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
6 |
0 |
|
Окопные стихи |
5806 | 583 |
50 |
54 |
75 |
46 |
40 |
50 |
44 |
39 |
38 |
52 |
39 |
56 |
0 |
1 |
1 |
3 |
2 |
1 |
3 |
3 |
5 |
0 |
0 |
1 |
5 |
3 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
5 |
1 |
1 |
4 |
1 |
1 |
3 |
6 |
6 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
4 |
0 |
4 |
0 |
3 |
2 |
0 |
2 |
3 |
2 |
2 |
9 |
5 |
|
Разговор с Андреем Загорцевым |
22220 | 405 |
26 |
26 |
24 |
43 |
43 |
34 |
31 |
46 |
45 |
30 |
27 |
30 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
|
Разговор с Александром Карцевым |
5500 | 389 |
10 |
20 |
29 |
32 |
39 |
69 |
40 |
31 |
37 |
28 |
29 |
25 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
|
Теория прозы |
8876 | 362 |
19 |
38 |
22 |
23 |
45 |
55 |
42 |
30 |
22 |
30 |
13 |
23 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
4 |
5 |
4 |
5 |
0 |
3 |
0 |
1 |
0 |
4 |
0 |
|
Алексей Сквер "Забво" |
14635 | 350 |
17 |
17 |
32 |
30 |
36 |
30 |
32 |
26 |
27 |
46 |
29 |
28 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
6 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20554 | 324 |
12 |
27 |
18 |
14 |
46 |
31 |
30 |
30 |
32 |
26 |
29 |
29 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
5 |
2 |
2 |
0 |
1 |
4 |
1 |
3 |
1 |
|
История России в военных дневниках моего дедушки |
26733 | 322 |
28 |
21 |
15 |
24 |
27 |
32 |
40 |
25 |
23 |
28 |
28 |
31 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
5 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
3 |
0 |
2 |
4 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
|
О вреде самообмана, или кто наследует землю |
11078 | 309 |
15 |
19 |
13 |
16 |
32 |
41 |
41 |
26 |
30 |
29 |
23 |
24 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
|
Разговор с Алексеем Сквером |
4449 | 294 |
22 |
28 |
20 |
13 |
31 |
32 |
36 |
21 |
20 |
30 |
18 |
23 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
|
Технология рассказа |
6116 | 284 |
33 |
17 |
12 |
20 |
27 |
32 |
33 |
18 |
25 |
25 |
20 |
22 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
5 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Анатолий Гончар (Еременко) |
684 | 279 |
21 |
16 |
16 |
21 |
27 |
32 |
23 |
21 |
24 |
27 |
25 |
26 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
"Город" Андрея Загорцева |
7628 | 278 |
22 |
19 |
12 |
21 |
34 |
31 |
22 |
24 |
27 |
23 |
23 |
20 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Анатолий Гончар (6 января 1965 - 31 июля 2023) |
517 | 277 |
10 |
18 |
17 |
17 |
27 |
36 |
31 |
21 |
29 |
23 |
22 |
26 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Равиль Бикбаев |
1275 | 268 |
14 |
13 |
15 |
16 |
31 |
31 |
20 |
27 |
27 |
23 |
27 |
24 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Оглянувшись в будущее |
9041 | 266 |
8 |
16 |
12 |
17 |
28 |
28 |
23 |
35 |
32 |
19 |
21 |
27 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
2 |
0 |
|
Александр Карцев |
3145 | 264 |
8 |
22 |
15 |
23 |
29 |
24 |
20 |
27 |
27 |
21 |
20 |
28 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
|
Разговор с Павлом Андреевым |
5910 | 258 |
16 |
17 |
12 |
14 |
29 |
21 |
21 |
27 |
27 |
27 |
21 |
26 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 |
|
Неистовый Глеб... |
4179 | 258 |
18 |
15 |
11 |
14 |
32 |
29 |
24 |
25 |
24 |
26 |
19 |
21 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Про Катю Наговицыну |
2419 | 258 |
13 |
13 |
9 |
15 |
31 |
25 |
21 |
58 |
18 |
22 |
16 |
17 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Казус Бабченко, или Ни одна обезьяна |
9731 | 257 |
13 |
14 |
12 |
17 |
32 |
28 |
27 |
28 |
23 |
19 |
16 |
28 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
|
Ярость бунта, или метафизика Беркема |
16518 | 255 |
12 |
16 |
14 |
14 |
29 |
21 |
22 |
26 |
29 |
26 |
20 |
26 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
11105 | 253 |
11 |
13 |
8 |
19 |
27 |
26 |
22 |
23 |
28 |
27 |
19 |
30 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Разговор с Равилем Бикбаевым |
4951 | 253 |
12 |
11 |
12 |
22 |
26 |
25 |
25 |
22 |
22 |
28 |
26 |
22 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
|
"Мародер" Б. аль Атоми |
7903 | 248 |
13 |
14 |
13 |
20 |
25 |
28 |
25 |
22 |
20 |
25 |
20 |
23 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7916 | 243 |
9 |
14 |
9 |
18 |
24 |
25 |
28 |
24 |
23 |
22 |
23 |
24 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Метаморфопсия, или Печальный Диверсант |
7289 | 241 |
16 |
10 |
14 |
18 |
28 |
25 |
23 |
25 |
22 |
21 |
20 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Виталий Носков (к 60-летию друга) |
5200 | 238 |
13 |
8 |
11 |
16 |
27 |
28 |
25 |
20 |
25 |
23 |
24 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
|
Нам времени осталось мало |
7696 | 238 |
11 |
10 |
14 |
15 |
28 |
22 |
33 |
18 |
18 |
25 |
25 |
19 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
|
Две повести о войне |
14066 | 230 |
12 |
14 |
13 |
15 |
27 |
25 |
22 |
26 |
19 |
23 |
19 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Нарастание пустоты (интервью журналу "Партия") |
5090 | 228 |
17 |
14 |
12 |
15 |
28 |
18 |
19 |
19 |
23 |
21 |
22 |
20 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Субъективные заметки о феврале и искусстве |
5345 | 227 |
18 |
10 |
14 |
17 |
24 |
22 |
21 |
22 |
19 |
22 |
24 |
14 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
|
"Данила" Александра Карцева |
7017 | 225 |
9 |
12 |
13 |
20 |
29 |
23 |
22 |
18 |
22 |
20 |
18 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Алексей Ивакин |
4286 | 224 |
20 |
11 |
11 |
15 |
23 |
21 |
18 |
22 |
23 |
22 |
18 |
20 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
|
О повести Алексея Козлачкова "Французский парашютист" |
1969 | 221 |
11 |
12 |
11 |
14 |
27 |
26 |
22 |
18 |
24 |
20 |
15 |
21 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
|
"Обыкновенная жизнь" Анатолия Гончара |
5593 | 217 |
12 |
11 |
13 |
15 |
23 |
25 |
21 |
17 |
19 |
22 |
21 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Тонкая нить Андрея Загорцева |
7604 | 217 |
8 |
13 |
14 |
15 |
23 |
21 |
21 |
27 |
19 |
21 |
17 |
18 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Разговор с Анатолием Гончаром |
3867 | 216 |
8 |
12 |
10 |
9 |
24 |
22 |
20 |
19 |
23 |
33 |
18 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |