| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 |
|
По разделу |
371164 | 1405 |
36 |
137 |
118 |
106 |
109 |
120 |
107 |
124 |
151 |
134 |
151 |
112 |
0 |
3 |
16 |
3 |
2 |
3 |
2 |
2 |
3 |
2 |
16 |
3 |
1 |
5 |
2 |
2 |
2 |
13 |
6 |
2 |
9 |
5 |
9 |
3 |
3 |
2 |
3 |
9 |
4 |
3 |
2 |
11 |
2 |
2 |
2 |
5 |
3 |
3 |
2 |
3 |
3 |
3 |
5 |
3 |
2 |
3 |
3 |
2 |
2 |
1 |
3 |
5 |
2 |
2 |
4 |
2 |
3 |
6 |
8 |
7 |
5 |
8 |
|
Уроки Александра Карцева |
8702 | 758 |
2 |
24 |
65 |
63 |
70 |
48 |
64 |
84 |
84 |
78 |
98 |
78 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
4 |
2 |
2 |
3 |
1 |
2 |
1 |
0 |
3 |
3 |
2 |
0 |
3 |
2 |
0 |
6 |
1 |
1 |
5 |
2 |
|
Окопные стихи |
5928 | 558 |
10 |
55 |
50 |
57 |
54 |
75 |
46 |
40 |
50 |
44 |
39 |
38 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
5 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
3 |
9 |
3 |
0 |
1 |
2 |
1 |
4 |
2 |
0 |
3 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
7 |
3 |
8 |
|
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
32574 | 551 |
15 |
46 |
40 |
53 |
44 |
55 |
42 |
59 |
57 |
49 |
47 |
44 |
0 |
3 |
1 |
0 |
2 |
3 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
4 |
1 |
3 |
2 |
3 |
0 |
2 |
1 |
3 |
1 |
4 |
2 |
1 |
3 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
4 |
0 |
0 |
4 |
1 |
1 |
2 |
1 |
|
Разговор с Андреем Загорцевым |
22306 | 404 |
11 |
30 |
39 |
32 |
26 |
24 |
43 |
43 |
34 |
31 |
46 |
45 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
4 |
0 |
0 |
2 |
1 |
2 |
3 |
2 |
|
Разговор с Александром Карцевым |
5552 | 359 |
1 |
21 |
24 |
16 |
20 |
29 |
32 |
39 |
69 |
40 |
31 |
37 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
|
Разговор с Алексеем Сквером |
4579 | 353 |
19 |
82 |
28 |
23 |
28 |
20 |
13 |
31 |
32 |
36 |
21 |
20 |
0 |
0 |
16 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
16 |
1 |
0 |
1 |
0 |
0 |
1 |
13 |
6 |
0 |
9 |
5 |
1 |
0 |
0 |
0 |
1 |
9 |
3 |
3 |
0 |
11 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
|
Теория прозы |
8930 | 350 |
2 |
22 |
24 |
25 |
38 |
22 |
23 |
45 |
55 |
42 |
30 |
22 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
|
Алексей Сквер "Забво" |
14695 | 307 |
6 |
23 |
24 |
24 |
17 |
32 |
30 |
36 |
30 |
32 |
26 |
27 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
5 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Технология рассказа |
6184 | 285 |
3 |
19 |
43 |
36 |
17 |
12 |
20 |
27 |
32 |
33 |
18 |
25 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
2 |
2 |
1 |
1 |
3 |
0 |
8 |
3 |
0 |
3 |
|
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20595 | 281 |
4 |
18 |
17 |
14 |
27 |
18 |
14 |
46 |
31 |
30 |
30 |
32 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
История России в военных дневниках моего дедушки |
26779 | 281 |
4 |
23 |
16 |
31 |
21 |
15 |
24 |
27 |
32 |
40 |
25 |
23 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
5 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
|
О вреде самообмана, или кто наследует землю |
11121 | 276 |
4 |
22 |
16 |
16 |
19 |
13 |
16 |
32 |
41 |
41 |
26 |
30 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
|
"Город" Андрея Загорцева |
7679 | 263 |
3 |
18 |
25 |
27 |
19 |
12 |
21 |
34 |
31 |
22 |
24 |
27 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
0 |
2 |
|
Анатолий Гончар (Еременко) |
742 | 259 |
6 |
31 |
18 |
24 |
16 |
16 |
21 |
27 |
32 |
23 |
21 |
24 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
|
Равиль Бикбаев |
1336 | 255 |
6 |
30 |
21 |
18 |
13 |
15 |
16 |
31 |
31 |
20 |
27 |
27 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
1 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
5 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
|
Анатолий Гончар (6 января 1965 - 31 июля 2023) |
563 | 252 |
4 |
24 |
18 |
10 |
18 |
17 |
17 |
27 |
36 |
31 |
21 |
29 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Оглянувшись в будущее |
9089 | 247 |
6 |
19 |
18 |
13 |
16 |
12 |
17 |
28 |
28 |
23 |
35 |
32 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
5 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
|
Про Катю Наговицыну |
2458 | 242 |
3 |
18 |
16 |
15 |
13 |
9 |
15 |
31 |
25 |
21 |
58 |
18 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Казус Бабченко, или Ни одна обезьяна |
9769 | 232 |
2 |
18 |
16 |
15 |
14 |
12 |
17 |
32 |
28 |
27 |
28 |
23 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 |
|
Разговор с Павлом Андреевым |
5956 | 230 |
3 |
23 |
19 |
17 |
17 |
12 |
14 |
29 |
21 |
21 |
27 |
27 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
|
Александр Карцев |
3178 | 228 |
1 |
19 |
12 |
9 |
22 |
15 |
23 |
29 |
24 |
20 |
27 |
27 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Неистовый Глеб... |
4214 | 227 |
1 |
19 |
13 |
20 |
15 |
11 |
14 |
32 |
29 |
24 |
25 |
24 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
|
"Мародер" Б. аль Атоми |
7946 | 223 |
6 |
19 |
13 |
18 |
14 |
13 |
20 |
25 |
28 |
25 |
22 |
20 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
|
Метаморфопсия, или Печальный Диверсант |
7327 | 219 |
2 |
21 |
13 |
18 |
10 |
14 |
18 |
28 |
25 |
23 |
25 |
22 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
|
Ярость бунта, или метафизика Беркема |
16553 | 218 |
4 |
19 |
10 |
14 |
16 |
14 |
14 |
29 |
21 |
22 |
26 |
29 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Виталий Носков (к 60-летию друга) |
5244 | 217 |
4 |
22 |
15 |
16 |
8 |
11 |
16 |
27 |
28 |
25 |
20 |
25 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
|
Разговор с Равилем Бикбаевым |
4989 | 215 |
2 |
21 |
14 |
13 |
11 |
12 |
22 |
26 |
25 |
25 |
22 |
22 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Две повести о войне |
14107 | 214 |
5 |
17 |
17 |
14 |
14 |
13 |
15 |
27 |
25 |
22 |
26 |
19 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
11139 | 211 |
4 |
16 |
12 |
13 |
13 |
8 |
19 |
27 |
26 |
22 |
23 |
28 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
|
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7952 | 210 |
3 |
19 |
11 |
12 |
14 |
9 |
18 |
24 |
25 |
28 |
24 |
23 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Субъективные заметки о феврале и искусстве |
5385 | 207 |
2 |
22 |
14 |
20 |
10 |
14 |
17 |
24 |
22 |
21 |
22 |
19 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Алексей Ивакин |
4328 | 206 |
2 |
20 |
17 |
23 |
11 |
11 |
15 |
23 |
21 |
18 |
22 |
23 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
5 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Нам времени осталось мало |
7733 | 206 |
3 |
21 |
12 |
12 |
10 |
14 |
15 |
28 |
22 |
33 |
18 |
18 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
5 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
|
"Данила" Александра Карцева |
7053 | 204 |
3 |
16 |
14 |
12 |
12 |
13 |
20 |
29 |
23 |
22 |
18 |
22 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
|
Нарастание пустоты (интервью журналу "Партия") |
5128 | 203 |
3 |
18 |
16 |
18 |
14 |
12 |
15 |
28 |
18 |
19 |
19 |
23 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
|
О повести Алексея Козлачкова "Французский парашютист" |
2005 | 201 |
3 |
18 |
13 |
13 |
12 |
11 |
14 |
27 |
26 |
22 |
18 |
24 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
"Обыкновенная жизнь" Анатолия Гончара |
5636 | 199 |
2 |
20 |
17 |
16 |
11 |
13 |
15 |
23 |
25 |
21 |
17 |
19 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
4 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
|
Тонкая нить Андрея Загорцева |
7640 | 197 |
2 |
18 |
14 |
10 |
13 |
14 |
15 |
23 |
21 |
21 |
27 |
19 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Боль памяти |
4676 | 196 |
5 |
18 |
19 |
15 |
9 |
13 |
11 |
25 |
21 |
20 |
17 |
23 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
5 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |